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Vienna Philharmonic (1957 - 1963) [Box set]

Your Works Audio CD


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Disc: 1
1. Piano Concerto No. 1 in C Minor, Op. 35
2. Scherzo: Allegro Moderato
Disc: 2
1. Adagio: Feierlich langsam; doch nicht schleppend
2. Finale: Feierlich, Nicht Schnell
Disc: 3
1. Andante Commodo
2. Im Tempo eines gemächlichen Ländlers Etwas täppisch und sehr derb
3. Rondo - Burleske
4. Adagio
Disc: 4
1. Tod und Verklaerung, Tone Poem for Orchestra - Richard Strauss
2. Der Held: Lebhaft bewegt
3. Der Helden Widersacher: Etwas langsamer
4. Des Helden Gefaehrtin: Viel ruhiger - Maessig langsam
5. Des Helden Walstatt: Lebhaft - Festes Zeitmass (sehr lebhaft)
See all 7 tracks on this disc

Customer Reviews

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.2 out of 5 stars  4 reviews
5 of 5 people found the following review helpful
4.0 out of 5 stars A glorious collection of live VPO performances 18 July 2004
By A Customer - Published on Amazon.com
Format:Audio CD
I have to disagree with the previous reviewer. While it is true that the sound is not up to modern standard, that is not what one buys this set for. The Mitropoulos 9th has the worst sound, but it is an electrifying performance by a master conductor who would be dead within one month. Boehm's Strauss performances are invaluable given his close relationship to the composer, even if they are a bit too swift and objective for my taste. The Karajan Bruckner 8th is excellent, even if it is topped by at least one of his studio sets. I love Andante's documentation, and the sense of history that accompanies these performances. If you have a special interest in the Viennese orchestra style, or any of these conductors, you will love this set.
4 of 4 people found the following review helpful
4.0 out of 5 stars A Mixed Bag 12 Jun 2005
By D. J. Zabriskie - Published on Amazon.com
Format:Audio CD
This collection is a very mixed bag, both in terms of sound quality and in terms of content. I guess you have to be a real German culture fanatic to appreciate it fully.

It's peculiar how so many Mahler fans detest Bruckner, and vice versa, despite both composers' love of large orchestral canvasses, their unmatched genius with the brass sections, etc. Bruckner lovers despair of Mahler's "progressive tonality," his almost-pantheistic existentialism and his fondness for slopping things up with musical banalities. Mahler fans, by contrast, hear in Bruckner's music vague streams of melody sitting atop a mound of harmonic sludge. So people who will buy this for the magnificent architecture of Brukner's 8th, so carefully delineated by von Karajan, are likely to be rebuffed by the magnificent realization of Mahler's leave-taking in his 9th, as executed to near perfection by Mitropoulos. Although the playing is always what you would expect from the Vienna Philharmonic, the recorded sound is not up to snuff for the Mahler 9th, marring an otherwise brilliant performance. Indeed, once you've heard the way Mitropoulos conducts this symphony, you can't be satisfied with the way anybody else does it, including Leonard Bernstein.

What gets overlooked in the Mahler vs. Bruckner argument, unfortunately, are some really good performances of Strauss' "Todt und Verklarung" and "Ein Heidenlieben" by Karl Bohm. Bohm's approach to Richard Strauss is neither as heroic as Karajan's or as classical as Toscanini's. Lacking Karajan's gift for calculated emotion or the sheer electricity of Toscanini, he steers a middle course, presenting the music on its own terms and letting it speak for itself. It's not a brilliant conception, just a thoughtful one, and, as such provides a nice contrast to whatever way you're used to hearing these pieces interpreted.

There's some very solid music-making going on here, even though Karajan will not make a Bruckner fan out of anyone who already isn't one already, the limitations of the recorded sound spoil an otherwise brilliant Mahler 9th, and Bohm sticks steadfastly to a "middle ground" with "his" Strauss.
1 of 2 people found the following review helpful
3.0 out of 5 stars The caveats are true 25 Sep 2005
By Santa Fe Listener - Published on Amazon.com
Format:Audio CD|Amazon Verified Purchase
The three composers on tis collection--Bruckner, Mahler, and Strauss--all require great sonics and great orchestral playing to make an impression on CD. As they stack up here:

Bruckner 8th: Karajan's tamest performance of a symphony he speciaized in. All four of his studio recordings are more spirited, and the boxy mono sound he gets here doesn't help much. But if the other Karajan performances didn't exist, this one would be considered very fine.

Mahler 9th: Awful suond, scratchy and shallow with not even a hint of Mahler's orchestral colors. To boot, the orchestra doesn't play very well--in many ways you might think this was their 1938 recording under Walter! Dmitri Mitropoulos was a great Mahlerian, but he is heard to better effect on the Mahler broadcast box set from the NY Phil.

Strauss tone poems: I don't own a single Bohm recording, and the Tod und Verklarung reminds me why--this is a choppy, brusque reading without atmosphere. But suddenly the Heldenleben is electrifying, and it is in the best sonics of the set. A truly amazing reading that outdoes Karajan's commercial recordings for passion, intensity, and commitment. Who would have thought?

If you can get this set used for a cheap price, it is well worth it once you know what you are in for.
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