If you've not heard of AC Acoustics you can't really be blamed. Even in the aftermath of this, their finest work, they received little more than a wall of silence from the unforgiving music media, save for a few plays on the Evening Session. In places this album bears the hallmarks of their fellow countrymen the Jesus and Mary Chain - howling guitars, frenzied vocals ("Fast", "Stunt Girl"), whereas "Hammerhead" is a gorgeous ballad which eventually accelerates into an explosive climax, and the opening and closing tracks "Hand Passes Empty" and "Can't See Anything" are superbly crafted rock songs - imagine Placebo without the nasal whine (Brian Molko is a long-time Acoustics fan, incidentally). In many places, it matches the incendiary, emotional highs and lows of Radiohead's "The Bends", but lyrically it's a lot more of an esoteric affair, no existential angst here, merely confusion and eccentricities ("In this light/I wear my hammerhead high/On a big stick/With an ice cream float" being just one example). I find that the often bizarre lyrics don't really detract from the album, but rather serve to make it all the more intriguing. This is a great collection of songs that gel together well to form a cohesive, tight and extremely rewarding listen. In my opinion, AC's two albums since this, "Understanding Music" and "O", don't quite scale the same heights, and I fear their chance to grab the limelight may have passed, although how this album went virtually unnoticed I really don't know! There's not a great deal of wasted space on this CD - and in "Stunt Girl", there is one of my favourite singles ever - a three-minute burst of spiky, psychedelic distorted rock. Never mind the money - this is a cerebral investment, and one that for me at least, reaped great dividends.