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Victorialand
 
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Victorialand

10 Feb. 2003 | Format: MP3

£7.49 (VAT included if applicable)
Buy the CD album for £8.08 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
1
6:35
30
2
3:07
30
3
3:05
30
4
3:18
30
5
2:43
30
6
3:28
30
7
3:27
30
8
3:52
30
9
3:16
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Product details

  • Original Release Date: 10 Feb. 2003
  • Release Date: 10 Feb. 2003
  • Label: 4AD
  • Copyright: 1986 4AD Ltd
  • Total Length: 32:51
  • Genres:
  • ASIN: B001MTZ148
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (19 customer reviews)
  • Amazon Bestsellers Rank: 34,740 in Albums (See Top 100 in Albums)

Customer Reviews

4.6 out of 5 stars
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Most Helpful Customer Reviews

25 of 25 people found the following review helpful By jimgarr (fan extraordinaire IRL) on 1 Jun. 2005
Format: Audio CD
I cannot rate this album higher, nobody has done a soundscape that compares... For me there has never been a singer that tops Liz Fraser for pure out-of-this-worldiness when it comes to alien-speak. The voice of an angel? Do me a favour and don't seek any words, there aren't any, but that's the beauty... No message. Listening to Oomingmak, I am reminded of driving across Ireland to my homeland of Co Mayo, it makes me picture a Mintsrel's Gallery in a huge vaulted cathedral.. Hearing The Thiner The Air and I wonder if there was ever an operatic singer to better Miss Fraser, for someone who claims to have never had any formal training, it's an inspiration to us all. Everyone should hear this album, it is glorious in every sense of the word. This album has stayed with me since it's release, and will forever and ever amen. I want to buy a copy for everyone I know, just so they can experience what I have known.. How's that for a recommendation?
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6 of 6 people found the following review helpful By "philstephan" on 12 Dec. 2002
Format: Audio CD
In my opinion by far and away the best of the Cocteau Twin's albums. I prefer 'Otherness' and 'The Moon and the Melodies' but the former is only an e.p and the latter a collaboration listed as the work of Elizabeth Fraser, Robin Guthrie, Simon Raymonde and Harold Budd, not the Cocteau's.
From the first guitar note the music pulls you into a gorgeous aural bath. A gently strummed guitar drifts so elegantly from your speakers that it instantly slows you down to the album's unique pace and drags you deep into the soundscape that is slowly unfolding before you. After a minute a saxophone enters the fray with meditative phrases that just about manage to avoid evoking new age nightmares, before Guthrie's unmistakable chiming guitar makes a subdued entry. The music is so embracing you barely notice that nearly three minutes have elapsed before Fraser's incredible voice takes hold of proceedings and the song hits full stride.
Once you've been pulled in their is no escape. I cannot remember a time when I have consciously chosen to stop the album or just play the first track. The music drifts by at its own pace and it forces you to follow suit. Given how minimal the album is - being focused almost exclusively on Guthrie's guitar and Frasers's vocals, with only the occasional splash of percussion, sax or piano - it is remarkable how engaging a listening experience Victorialand actually is. It's just so warm and comforting it's as hard to leave as a warm bed on a cold early morning.
The album works beautifuly. It takes you to a special place and has a lovely fluidity about it.
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7 of 7 people found the following review helpful By John David Charles Hilton on 21 Aug. 2005
Format: Audio CD
Victorialand is very much a product of CTs etherial phase. Gentle guitar figures, few if any drums, and Frazer's angelic tones. Maybe not the obvious choice to introduce yourself to the band (you would be better off with "Heaven or Las Vegas", "Blue Bell Knoll" or even "Treasure" for that matter).
Here we find them at their dreamiest it is the perfect companion to the twinned EPs "Tiny Dynamine" and "Echoes in a Shallow Bay". This is from that period when the group was reduced to a duo of Frazer and Guthrie. It has a sparser sound than we are used to, and maybe takes a few more plays to really 'get'.
Victorialand is not, really, a full scale album. It is a mini album weighing in at just under 33 minutes. The original vynil version played at 45rpm. But those 33 minutes contain some of the best music for daydreaming ever written. The purity of sound makes it ideal for CD...
Buy it and prepare to lose yourself in reverie....
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3 of 3 people found the following review helpful By doctor pacman on 31 May 2010
Format: Audio CD Verified Purchase
This is a wonderful little album that showcases the sound of a truly unique band indulging their weird side for all that it's worth. The soundscapes are much sparser than on previous (and later) outings with little or no percussion on most of the tracks, but that just adds to the effect. The guitars sparkle, swoon and swirl with magic and Liz Frazer's achingly lovely vocals float on top of them like rays of light from a new-born star. Galaxies glow, undulate, fade to black and explode into life again. This is trippy stuff even by the standards of this trippiest of bands, and it sounds like nothing else in the world. Describing how the Cocteaus sound is like trying to explain the taste of ice cream to someone who's never eaten it; it's nigh-on impossible, and all the usual words like 'heavenly' and 'ethereal' that get thrown around so often with reference to them just don't do the sound justice. If you've never heard the band before then this probably isn't the best place to start (try 'Four Calendar Cafe' for something slightly more 'conventional' or 'Treasure' if you want to get a feel for the early stuff) but if you've already got those albums then you really should think about buying this one as well. Blissful stuff.
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2 of 2 people found the following review helpful By russell clarke TOP 1000 REVIEWERVINE VOICE on 21 Mar. 2009
Format: Audio CD
Speaking as someone who would have crawled across broken glass using my tongue as a propeller just to hear a new Cocteau Twins album I was a bit disappointed when I first heard Victorialand. It lacks the epic peaks and troughs of their previous album, the magnificent Treasure and indeed the three E.P,s released between Treasure and this album Aikea-Guinea, Tiny Dynamine / Echoes in a Shallow Bay. With bassist Simon Raymonde off recording on This Mortal Coil's Filigree & Shadow and the faithful old drum machine sat in the corner gathering dust Victorialand is a lighter airier album than previous efforts. It lacks the incandescent glories of their best work but once you get used to the fact that you are listening to a calmer( lazy calmer?) and more reflective work than the giddy extraterrestrial pop of old you realise this is an extraordinarily beautiful album .
The lack of percussion and the sculptural booming bass lines means there is far more space and tracts of spatial calm Richard Thomas of Dif Juz fills in some of this with his woozy saxophone and Tablas but mostly it's the glistening guitar refrains of Robin Guthrie and of course the extraordinary voice of Elizabeth Fraser that give Victorialand it's exceptional ambience.
First track "Lazy Calm " glides the emollient saxophone over exquisitely plucked guitar notes and the serene vocals that twitter for the chorus of sorts.
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