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A treat here for connoisseurs of Angelo Badalamenti, and for anyone with a passing interest in film scores,
A Very Long Engagement will serve to add to the legacy of Badalamenti's impeccable credentials. The soundtrack to the World War One period film from
Amelie director Jean-Pierre Jeunet, this piece is an example of exactly how to score a film shrouded in death, confusion and humanity. Unlike the loathsome bombast that, say, a Danny Elfman score would have provided, Badalamenti simply makes the most of minor key themes, arranged for an elegant but eerie, beautifully played orchestra. Anyone familiar with his work on David Lynch's
Mulholland Drive will find it familiarly excellent. However where that score was full of apocalyptic climaxes, "A Very Long Engagement" remains rooted in quiet, albeit menacing territory. Only in the End Titles does the music slip into something approaching Hollywood schmaltz, but even then it is kept in check by some very effective refrains that tether the piece to its mysterious foundation. Perhaps too mournful to be played casually and regularly, this is still an effective accompaniment to a film about the human side of war, and in its aims, is highly enjoyable and successful.
--Thom Allott