Big Joe Turner was the premier blues shouter of the postwar era and did everything from boogie-woogie and jump blues to the first wave of rock & roll. Even those who have never heard Turner sing have heard "Shake, Rattle & Roll," which was specifically written for him by Charles Calhoun (Jesse Stone), but you probably heard the sanitized version that was popularized by Bill Haley and the Comets. On "The Very Best of Big Joe Turner" you get to hear the original version, with its big bounce and raunchy lyrics. You will also learn why you should associate the name Big Joe Turner with the idea of screaming rock & roll songs.
With this issue from Rhino Records, part of their series of reissuing classic blues and R&B material from the vaults at Atlantic Records. What Rhino did was take a dozen tracks from Atlantic's "Big Joe Turner's Greatest Hits" and add another four tracks, "TV Mama" and "Midnight Cannonball," both of which were written by Turner, and "You're Driving Me Crazy (What Did I Do?)" and "Tomorrow Night." The common denominator on those tracks is that they are more rock & roll than R&B, which is just fine with me. The choice tracks are the rocker "Honey Hush," the aforementioned original version of "Shake, Rattle & Roll," "Flip, Flop and Fly" (which supposedly has leftover verses from "Shake, Rattle & Roll"), "The Chicken and the Hawk (Up, Up and Away)" and "Corrine Corrina," which has been done by everybody from Red Nichols to Dean Martin. But then you will discover that the more you know about the early days of rock & roll the more you will realize you have heard covers of some of these songs by the likes of Jerry Lee Lewis and Elvis Presley.
Also, because this is Rhino, we are once again talking excellent liner notes, compiled this time around by Billy Vera. The only complaint is that the cover picture of Big Joe Turner is actually the smallest picture of the singer I have seen to date. Irony abounds. The only reason not to give this album five stars is because there are Big Joe Turner collections that have more than 16 tracks on them, but I really like the selection here because my primary interest is in rockabilly and the early days of rock & roll more than the blues and R&B you get with some of the other collections, which are five star albums in their own rights. Most of these songs were produced by Atlantic's Ahmet Ertegun and Jerry Wexler, which explains why there is a definitive sound here. If you check out the 1956 film "Shake, Rattle & Rock" you can catch Turner lip-synching a couple of his hits, along with Fats Domino and the music of Frédéric Chopin.