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| 1. Spanish grease (Richard Dorfmeister remix) - Bobo, Willie |
| 2. How long has this been going on (MJ Cole remix) - McRae, Carmen |
| 3. Who needs forever (Thievery Corporation remix) - Gilberto, Astrud |
| 4. Is you is or is you ain't my baby (Rae & Christian remix) - Washington, Dinah |
| 5. Feelin' good (Joe Clausell remix) - Simone, Nina |
| 6. Return to Paradise (Mark de Clive-Lowe remix) - Horn, Shirley |
| 7. Wait till you see him (De-Phazz remix) - Fitzgerald, Ella |
| 8. Don't explain (dZihan & Kamien remix) - Holiday, Billie |
| 9. See line women (Masters At Work mix) - Simone, Nina |
| 10. Summertime (UFO remix) - Vaughan, Sarah |
| 11. Strange fruit (Tricky remix) - Holiday, Billie |
| 12. Hare Krishna (King Britte Funke remix) - Scott, Tony (1) |
| 13. OM - Washington, Dinah |
Instead, Verve Remixed focuses on the label's mellower side, for an impeccably tailored downtempo collection. Sultry highlights, like the voodoo trip-hop of Tricky's remodelled "Strange Fruit" are numerous, but inevitably it's the label's crown jewels which prove most alluring. Nina Simone's "See-line Woman" rumbles like a frenetic locomotive in the hands of Masters At Work, while her finest hour, "Feelin' Good", is reinvented as shimmering soul by Joe Clausell. As for Sarah Vaughan's classic "Summertime", with the spy movie obsessed United Future Organisation turning up the heat haze with an eerie loop of the original song's smouldering string refrain, it's arguably better than the original. --Dan Gennoe
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So, what makes it work? Well, in the case of Richard Dorfmeister’s stunning interpretation of Willie Bobo’s “Spanish Grease” it’s understanding why the original is so infectious and then overlaying & seriously extending these elements with the very best of electronica/dance to make it… much better. Or in the case of Thievery Corporation’s total rework of Astrud Gilberto’s “Who Needs Forever?” its taking a couple of phrases from the song that capture the atmosphere & essence of the artist and using them to produce something that, while it bears little relation to the original, becomes one of the very best Astrud Gilberto tracks you’ll ever hear.
Clever & brilliantly effective, the whole album is stuffed full of similarly impressive remixes by some of the best club artists around and, if you like this sort of thing, it’s an absolute “must buy”. And, if you don’t, it may well make you think again because once it gets its hooks into you it’s pretty impossible to put down.
what a flattering twists to all this old classic jazz favourites. Read more
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