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Amazon.co.uk Review
Teenager Vernon Gregory Little's life has been changed by the Columbine-style slaughter of a group of students at his high school. Soon his hole-in-the-wall town is blanketed under a media siege, and Vernon finds himself blamed for the killing (rather than the real culprit, a friend of Vernon's). Eulalio Ledesma is his particular nemesis, manipulating things so that Vernon becomes the fulcrum for the bizarre and vengeful impulses of the townspeople of Martirio. After a truly surrealistic set of events, Vernon finds himself heading for a fateful assignation in Mexico with the delectable Taylor Figueros (everyone in the book has names as odd as the author's).
By setting his novel in the barbecue-sauce capital of Central Texas, Pierre ensures that his narrative is going to be some distance from naturalistic writing. And as a scalpel-like satirical incision into the mores of contemporary America, reality TV and media hysteria, Vernon God Little often reads like a fractured modern-day take on such novels as John Kennedy Toole's A Confederacy of Dunces. --Barry Forshaw --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
12 of 13 people found the following review helpful:
5.0 out of 5 stars
like being tickled with a cheese grater,
This review is from: Vernon God Little (Paperback)
God knows I tried my best to learn the ways of this world, even had inklings we could be glorious......but Vernon Little's small-town dreams are literally shot to pieces when his confused best friend massacres the teenagers who cruelly persecuted him, before turning the gun on himself and taking the truth with him. Vernon has an alibi, but it's just not good enough for a nation desensitized by the drama of CNN, and begins to realise that the American public need a bit of relish with their truth to stop it sticking in their throats. It ain't what you say, it's whether it comes with flashing neon and a free gift. DBC Pierre's biting satire is of Big Mac proportions, spanning such diverse issues as justice, the ever-increasing power of the media, and the sordid secrets of humanity that so-called Western civilisation cannot bury, with an irreverence that belies the sharp insights. Pierre sculpted the ideal character for us to follow through these troubled times; Vernon Little may not be the cleverest person around, but he stumbles on 'learnings' that come closer to the truth about what makes us humans behave in the loving, violent way we do, than anything you can find in a textbook. Vernon is a character we as young adults can all identify with; he still carries an almost naive belief that people are essentially good, but cannot quite reconcile that belief with the events happening around him. The rest of the cast in this 'reality-documentary' are surreal. Believe they are caricatures if you want, but I can see these people around us every day. Vernon's mother is a clingy, disillusioned woman, sliding hysterically into middle-age without having achieved anything in her life. She tries to make up for this by boasting to her friends about her new fridge while hiding the mounting electricity bills, and dieting between trips to Bar-B-Chew Barn. Eulalio Ledesma is the sleazy reporter who worms his way into the family only to wrench it apart with his 'exclusives', but has a hidden past of his own. Then there's the creepy psychiatrist with steel salad tongs, the divine Taylor Figueroa and others from the slightly warped imagination of DBC Pierre. The author, it seems, can dig up both the crass and the charming within people, and is not afraid to plunge in and find it, then come back and tell it to us straight. The book is fantastically well-constructed, with plot twists that will knock you over then jump up and down on you. The story never takes back seat to any message that Pierre is trying to send us, which means you can read it on many levels. Much of what he finds will shatter your faith in humanity, but hold on - it emerges triumphant! We track Vernon as he moves from being a boy that things happen to, a victim of his own circumstances, through being a criminal on the run, and finally as he becomes Vernon God Little, who knows the secret of life... All in all, this is an astounding first novel, and fully deserved to win the Man BOOKER Prize, the Whitbread Best First Novel Award, and the Bollinger Everyman Wodehouse Award for Comic Writing, all in 2003, despite it being a rather irregular choice. Take note all - this could be the handle of a mop..
11 of 12 people found the following review helpful:
5.0 out of 5 stars
Vernon, it was really nothing,
By
This review is from: Vernon God Little (Paperback)
It is ironic that a Booker winning book is written entirely in an American voice, when - of course - Americans cannot enter. I suspect that there are niggles with unauthentic American references, just as there are wrinkles in the book generally. However, it is a great book with a narrator who is both frustratingly naive and deeply knowing. It draws the reader in, makes us care, and keeps us dangling until the end.I wonder if this is how Donna Tartt would sound if she had a really firm editor? There is the same sense of mystery, and some of the same low life Americans, but much punchier pacing. The other great thing about the book is that it is littered with genuinely funny puns. Don’t worry about the hype, don’t worry about the implausibility of the author, just let yourself laugh and cry with Vernon.
40 of 45 people found the following review helpful:
4.0 out of 5 stars
U . S . EH???,
By MR A HEPWORTH (Castleford, West Yorkshire United Kingdom) - See all my reviews
This review is from: Vernon God Little (Hardcover)
I really couldn't wait to dive into this book. I admit I was a little giddy from all of those glowing comparisons I'd heard in the press: 'The Simpsons meet The Osbournes en route to Eminem," all of that tantalising praise seemed to make this book tailor-made for a contemporary Pop Culture Vulture like me.I was expecting all the sharp Stateside wit of your average episode of Fraiser, but perhaps with swearing. Something fun but essentially throwaway. To be honest, I wasn't expecting a hard time. The first difficulty I blundered across was the relentless voice of the main character, Vernon. This kid's language is hacked into harsh fragments of over-observed teen-speak; sometimes allegorical beyond the years of your average fifteen year old Mall-Rat. This was more like Henry Miller in 'Tropic of Cancer', but with an irksome Texan drawl. I was then assaulted by the relentless introduction of the characters; a bloated band of widowed Harpies, a slimey selection of authority figures - all with disturbing ulterior motives, vacuous and unlikable fellow teens; all of these freaks were dealt out to me like a bad Poker hand. Oh, and did I mention that all of this was beset by the back-story of a shocking mass murder of sixteen schoolkids? I read on, as the awful un-american events unfolded and became seedier and more hopeless. I began to sneer at the bleak nation that was so crudely mapped within the pages. I began to laugh at it. I suppose that's where I sort of got it - acclimatized if you will. I was no longer on the side of slick, witty america and its throwaway one-liner, sanitized sit-com smugness. I was now snickering and smirking at the ludicrous land that poor Vernon Little was trapped in and was being savagely manipulated by. This is not the america I thought I knew, but I'm certain it's the america that most americans know - or would rather not know.
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