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Amazon.co.uk Review
Philip Steadman's remarkable book, Vermeer's Camera, cracks an artistic enigma that has haunted art history for centuries. Over the years artists and art historians have marvelled at the extraordinary visual realism of the paintings of the 17th-century Dutch painter Johannes Vermeer. The painter's spectacular View of Delft, painted around 1661, and the beautiful domestic interior The Music Lesson seem almost photographic in their incredible detail and precise perspective. Since the 19th century, experts have speculated that Vermeer used a camera obscura, an early precursor of the modern camera. However, conclusive proof was never discovered, until now. In Vermeer's Camera, Philip Steadman conclusively proves that Vermeer did indeed use a camera obscura to complete his greatest canvases. Part art historical study, part scientific argument, but mainly a fascinating detective story, Vermeer's Camera argues that Vermeer had a camera obscura with a lens at the painting's viewpoint. He used this arrangement to project the scene onto the back wall of the room, which thus served as the camera's screen. He put paper on the wall and traced, perhaps even painted from the projected image. It is because Vermeer traced these images that they are the same size as the paintings themselves. Steadman painstakingly develops his argument through careful study of the history of the camera obscura, an exploration of 17th-century optics, and a detailed study of the light, optics, perspective and measurement of a series of Vermeer's paintings. He goes to remarkable lengths to reconstruct Vermeer's studio and its furnishings, down to the angle of the light from its windows.
Philip Steadman's remarkable book, Vermeer's Camera, cracks an artistic enigma that has haunted art history for centuries. Over the years artists and art historians have marvelled at the extraordinary visual realism of the paintings of the 17th-century Dutch painter Johannes Vermeer. The painter's spectacular View of Delft, painted around 1661, and the beautiful domestic interior The Music Lesson seem almost photographic in their incredible detail and precise perspective. Since the 19th century, experts have speculated that Vermeer used a camera obscura, an early precursor of the modern camera. However, conclusive proof was never discovered, until now. In Vermeer's Camera, Philip Steadman conclusively proves that Vermeer did indeed use a camera obscura to complete his greatest canvases. Part art historical study, part scientific argument, but mainly a fascinating detective story, Vermeer's Camera argues that Vermeer had a camera obscura with a lens at the painting's viewpoint. He used this arrangement to project the scene onto the back wall of the room, which thus served as the camera's screen. He put paper on the wall and traced, perhaps even painted from the projected image. It is because Vermeer traced these images that they are the same size as the paintings themselves. Steadman painstakingly develops his argument through careful study of the history of the camera obscura, an exploration of 17th-century optics, and a detailed study of the light, optics, perspective and measurement of a series of Vermeer's paintings. He goes to remarkable lengths to reconstruct Vermeer's studio and its furnishings, down to the angle of the light from its windows.
The science is complex, but always clearly explained. Nor is this an attempt to reveal Vermeer as an artistic "cheat". Steadman convincingly argues that "Vermeer's obsessions with light, tonal values, shadow, and colour, for the treatment of which his work is so admired, are very closely bound up with his study of the special qualities of optical images". Vermeer's Camera is a wonderful book, that shows the ways in which, during the 17th century, art and science went hand in hand. It offers an enlarged, rather than reduced perspective on Vermeer. --Jerry Brotton
--This text refers to an out of print or unavailable edition of this title.
Review
This intellectual detective story explores Vermeer's possible knowledge of 17th century science and provides exciting new evidence that one of the world's best-loved painters used a camera obscura to create some of the most famous images in Western Art. Illustrated with colour plates and monochrome illustrations, the book offers a fascinating glimpse of a time of great scientific and cultural innovation and achievement. Highly recommended.
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Inside This Book
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First Sentence
If a small hole is made in the wall of a darkened room, an image of the scene outside can be formed by light rays passing through the hole. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
If a small hole is made in the wall of a darkened room, an image of the scene outside can be formed by light rays passing through the hole. Read the first page
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Concordance
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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58% buy the item featured on this page: Vermeer's Camera: Uncovering the Truth Behind the Masterpieces £7.14 |
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25% buy Secret Knowledge: Rediscovering the lost techniques of the Old Masters £16.22 |
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9% buy Vermeer: The Complete Works £9.99 |
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4% buy Vermeer's Hat: The seventeenth century and the dawn of the global world £5.99 |
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