The principal attraction of this recording of Verdi's La Forza del Destino is that it's a performance of the rarely heard original St Petersburg version, written by the composer for the Imperial Opera in 1862. It was subsequently revised in 1867 for Milan and it's the later version that has become the more commonly performed or at least better known principally for the famous extended overture that Verdi added. In reality, although there is clearly an attempt by the composer to bring a better musical and dramatic integrity to the piece, the differences between the two versions aren't all that significant, but in addition to having a rare opportunity to compare them, there is the pleasure alone of seeing a fine performance of the earlier version actually being performed in St Petersburg in 1998 at the Mariinsky Theatre under Valery Gergiev.
Despite the revisions made to the Italian version, the essential dramatic arc and the fate of the characters however remain largely unchanged. The coincidences that tie these figures are still not entirely convincing, but they are made compelling - in both versions - by the strength in Verdi's musical writing that aligns character so beautifully not just to Wagnerian motifs, but to melodies that are expressive of their condition. It might have a mid-eighteenth century setting, but it's clear that Verdi doesn't have to look too far beyond his own time to relate in some meaningful way with these figures who in better times might have been friends and lovers, but whose lives have been torn apart by greater forces beyond their control - the tides of war, fate and the demands of honour.
Directed for the stage by Elijah Moshinsky, this 1998 recording at the Mariinsky Theatre is a very traditional period staging, but the theatricality of the painted backdrops that set the scene for the Seville locations, army camps and monasteries suits the punchier, set-pieces of the earlier version of the work, the dark lighting of the stage working also with the dark tones in Verdi's score. That's brought out wonderfully by Valery Gergiev in this production, finding nonetheless a romantic sweep and sensitivity within the score that works hand-in-hand with the heavier dramatic colouring. I'm not familiar with any of the Russian singers here but they are well cast and handle the Italian phrasing well. Galina Gorchakova is a fine Leonora, carrying the nature and interior conflict of her character well, her singing strong and consistent. Gegam Grigorian is a lovely lyrical Don Alvaro, but doesn't always seem to be dramatically involved. His 'Della natal sua terra' aria at the start of Act III is beautifully sung, but he's not as strong in 'Quel sangue sparsi' by the end of the act. Nikolai Putilin is a solid, earnest Don Carlo, but I didn't find Marianna Tarasova made such a strong impact as Preziosilla.
Directed for the screen by Brian Large, the production comes across well giving a good impression of the whole stage while capturing all the little details in the drama without any excessive editing trickery or close-ups, although there is one awkward edit at the end of Act III. A 1998 recording, it is not filmed in High Definition, so there's no Blu-ray release, but the quality of the 16:9 widescreen image for DVD is excellent nonetheless, as is the quality of the PCM 2.0 stereo audio track. Other than notes on the opera and the production in the enclosed booklet, there are no extra features on the disc itself, the 2 hours 45 minutes of the opera on a dual-layer disc in NTSC format. The disc is compatible for all regions. Subtitles are in English, German, French, Dutch and Spanish only - there is no Italian for anyone wanting to read the original libretto.