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Variations
 
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Variations [CD]

Trichotomy Audio CD

Price: £11.99 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Customers Who Bought This Item Also Bought


Product details


1. Island In The Sun
2. At The Right Moment
3. Branching Out
4. Start
5. Ascent
6. Variations On A Bad Day
7. Chunk
8. Please
9. The Unknown
10. Labyrinth

Product Description

BBC Review

Yet another jazz piano trio enters the fray. As Trichotomy are arriving from Australia, they can immediately be compared to The Necks, fellow countrymen of a slightly different bent. There are stretches of abstraction or repetition in Variations that might call to mind the completely improvised approach of The Necks, but Trichotomy also possess an old-school interest in lyrical expression, in the manner of pianists John Taylor or Bobo Stenson.

It also happens that Trichotomy have been playing together since 1999, when they were studying at the Queensland Conservatorium in Brisbane. This rules out any accusations of marketplace opportunism. Pianist Sean Foran, bassist Patrick Marchisella and drummer John Parker had been steadily performing and releasing albums in Australia as Misinterprotato, but have now been reincarnated as Trichotomy for their fresh UK existence on the Naim label.

The media, and perhaps the jazz audience itself, feels the need to fill the void created by Esbjörn Svensson's tragically premature passing in 2008. Indeed, there are several pieces on this album that directly evoke the sound of E.S.T., with Marchisella's upright bass plugged into a screamingly distorted effects box. Trichotomy have a propellant, linear forcefulness, but can frequently shift into a tranquil spaciousness. The emphatic bass, tumbling drums and a piano that maintains some kind of fixity recalls the internal relationships of The Bad Plus, leading US proponents of this format. There's also a song-like progression to At the Right Moment that recalls the hymnal quality of Norwegian Tord Gustavsen, but with a melody not unlike one of Neil Cowley's creations.

Branching Out has a fast footfall theme, purposeful ripples made until they magnify into a quicksilver pounding. Dynamism and dramatics are this threesome's strength. They manage to merge minimalism and folksiness during Start, with piano strings semi-prepared to create metallic rumblings, and a guest trumpeter lending delicate traceries to a tentative painting. Variations on a Bad Day dives into rhythmic jumpiness, dark tones pacing with intent as the fuzz bass hikes into overdrive, and there's a full Soft Machine-ist eruption on Chunk – or are those harsh angularities arriving out of the King Crimson cosmos?

Despite all of these evocative comparisons to their fellow piano trios (and beyond), the composite end-result is something that can be called Trichotomy's own. The album is aptly titled, as Variations are constantly being made, with a versatility that produces a new band style, drawn from many quarters. --Martin Longley

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CD Description

Trichotomy s compelling, hugely dynamic trio music draws on the avant-rock of Radiohead, ECM minimalism and their love of improvisation in an entrancing Australian echo of the European jazz innovations of the likes of EST or Tord Gustavsen. Founded as Misinterprotato in 1999 when the three members met whilst studying at the Queensland Conservatorium, their unique sound is driven by award winning pianist Sean Foran, expansive, dynamic percussionist John Parker, and visceral double bassist Patrick Marchisella. Inspired by a diverse range of influences from Aphex Twin to Vijay Iyer, and Tortoise to The Bad Plus, Trichotomy s music combines a dense rhythmic focus with the melodic clarity of a Pat Metheny, Brad Mehldau or Stravinsky and like fellow Australians The Necks, whom they cite as an early influence, there is a remarkable attention to detail and a desire to allow ideas to develop naturally within their music. A key focus is the balance between piano/bass/drums, with the trio maintaining a free flowing three way conversation with no one dominating and all contributing integral parts. Compositions often find a fine balance between heavily notated sections then completely free improvisations.

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:  1 review
Jazz for Those Who Think They Can't Relate! 10 April 2010
By Grady Harp - Published on Amazon.com
This CD is a brilliant coming together of three very talented musicians - pianist Sean Foran, percussionist John Parker, and double bassist Partick Marchisella. Rarely has the true concept of jazz (an idea as old as ancient music with theme and variations!) been so explicitly yet subtly defined. This trio of artists can take a theme and divide it among the three so that each of the performers finds his own variation that just happens to connect so tightly with the other ideas it instigates that it sounds like a composed piece instead of a statement and riff.

Some of the tracks, such as the hauntingly beautiful 'At the right moment', focus on the serene technique of Sean Foran who then introduces/seduces the other members of the trio to embroider the plaintiff melody he has stated. But each of the tracks here is exceptional and this recording, the first to be released internationally by this Australian group. it won't be their last! Grady Harp, April 10

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