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| Disc: 1 | |||
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| 1. VANESSA: Act 1: Potage creme aux perles | |||
| 2. VANESSA: Act 1: No, I Cannot Understand | |||
| 3. VANESSA: Act I: Must The Winter Come So Soon? | |||
| 4. VANESSA: Act I: Listen!... They Are Here... | |||
| 5. VANESSA: Act I: Do Not Utter A Word, Anatol | |||
| 6. VANESSA: Act I: Yes, I Believe I Shall Love You | |||
| 7. VANESSA: Act I: Who Are You? | |||
| 8. VANESSA: Act II: And Then?---He Made Me Drink | |||
| 9. VANESSA: Act II: No, You Are Not As Good A Skater | |||
| 10. VANESSA: Act II: 'Under The Willow Tree...' | |||
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| Disc: 2 | |||
| 1. VANESSA: Act III: The Count And Countess d'Albany | |||
| 2. VANESSA: Act III: I Should Never Have Been A Doctor | |||
| 3. VANESSA: Act III: Here You Are! | |||
| 4. VANESSA: Act III: At Last I Found You | |||
| 5. VANESSA: Act III: Nothing To Worry About | |||
| 6. VANESSA: Act IV, Scene 1: Why Did No One Warn Me? | |||
| 7. VANESSA: Act IV, Scene 1: Why Must The Greatest Sorrows | |||
| 8. VANESSA: Act IV, Scene 1: There, Look! | |||
| 9. VANESSA: Act IV, Scene 1: Anatol, Tell Me The Truth! | |||
| 10. VANESSA: Act III, Scene 1: Take Me Away | |||
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Vanessa suffers perhaps from a bit overwrought libretto. Menotti is guilty of his usual excesses. But Barber more than makes up for this in the sweep of his melodies. Musically, the piece is tonal, but harmonically adventureous. Interestingly, some of the piece calls to mind composers such as Bernard Herrmann or Miklas Rosza...high praise indeed for dramatic music in my mind. The final quintet at the end of the fourth act is rapturous. I find myself listening to it again and again.
The performance is as close to perfect as a composer could wish for. Steber is brilliant as Vanessa and Rosalind Elias is a moving Ericka. Mitropoulos conducts with sweep and power.
I wish opera companies would revive this work. It really deserves it.
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