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In Utero
 
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In Utero

Nirvana Audio CD
4.7 out of 5 stars  See all reviews (78 customer reviews)
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Music

Image of album by Nirvana

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Biography

Nirvana were formed by singer/guitarist Kurt Cobain and bassist Krist Novoselic in Aberdeen, Washington in 1987. Nirvana went through a succession of drummers, the longest-lasting being Dave Grohl, who joined the band in 1990.

In the late 1980s Nirvana established itself as part of the Seattle grunge scene, releasing first album Bleach for the independent record label Sub Pop in 1989. The band… Read more in Amazon's Nirvana Store

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Frequently Bought Together

In Utero + Nevermind (20th Anniversary Remastered Edition) + MTV Unplugged In New York
Price For All Three: £10.95

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Product details

  • Audio CD (1 Sep 1993)
  • Number of Discs: 1
  • Label: Geffen Records
  • ASIN: B0000072KY
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (78 customer reviews)
  • Amazon Bestsellers Rank: 290 in Music (See Top 100 in Music)

1. Serve The Servants
2. Scentless Apprentice
3. Heart Shaped Box
4. Rape Me
5. Frances Farmer Will Have Her Revenge On Seattle
6. Dumb
7. Very Ape
8. Milk It
9. Pennyroyal Tea
10. Radio Friendly Unit Shifter
11. Tourette's
12. All Apologies/Gallons Of Rubbing Alcohol Flow Through The Strip

Product Description

Amazon.co.uk Review

Overwhelmed by sudden success, Nirvana promised to take a harsher, more abrasive route on their second major-label release. Enlisting Chicago-based noise maven Steve Albini (of Big Black fame), Kurt Cobain and company succeeded in producing a record that was violent, disillusioned, and deeply moving. Every song reads like a commentary on the cost of fame ("Serve the Servants") and the unhealthy relationship between performer and fan ("Milk It"). Of course, they might all simply be about Courtney Love. Gossip aside, there is no denying the sheer power of Cobain's song-writing, his singing, and the band's amazing, visceral power. Cobain even manages a John Lennon-like mantra at the end of the heart-wrenching "All Apologies". "All in all is all we are," he intones repeatedly, only for Cobain that's no consolation. --Percy Keegan

BBC Review

In Utero was released September 1993, the follow-up to the phenomenally successful Nevermind from 1991. This was Nirvana getting back to their rawer roots. It was as if once Cobain had achieved the success he would never publicly admit he craved, Nirvana could shed all pretence and be themselves once again.

They dispensed with Butch Vig’s smooth, chart-topping touch, in exchange for indie-veteran Steve Albini's workman-like punk and indie anti-hero kudos.

It seems odd that a record something so unexpectedly successful could spawn something that so apparently attempts to be the opposite, but such was the staggering level of expectation post-Nevermind that Nirvana brilliantly seek to upset and confound absolutely everyone.

This is Kurt letting us under his drug addled, membrane-thin skin, into the recesses of his fragile mind, to play air-drums and head-bang with his demons, of which there are many.

It’s a diary of the damage wrought by having an extraordinary dream come true but not coping well with the consequences. Cobain is tapping the listener into the competing urges behind the obsessive, manically-depressive, contradictory, bleak, vulnerable and lonely voices in his head.

In Utero noisily hops between feedback-drenched, searing barrages of emotion to complex and catchy, credible and clever pop-punk dissertations; underneath the sharper edges Nirvana’s talent for melody and memorable songwriting are still alive and kicking.

Albini’s production revels in the fact that the instruments aren’t so much being played as being kicked around while having their necks wrung, he also captures a more charming, human aspect to Cobain’s vocals and the painful persistence and desperation of his trademark screams.

It's powerful, personal, psychological, physiological, scatological, paranoid, frenzied and exhausting, beautifully frank and funny and poetic and infectious and disarming and saddening and upsetting and willfully uncomfortable. And great. --Eamonn Stack

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Customer Reviews

78 Reviews
5 star:
 (65)
4 star:
 (7)
3 star:
 (3)
2 star:
 (3)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (78 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

14 of 15 people found the following review helpful:
5.0 out of 5 stars Awesome. The best album I have EVER heard, 15 Jun 2001
By A Customer
This review is from: In Utero (Audio CD)
In Utero is without doubt, the best album I have ever heard and it has to go down as one of the best albums ever. The one fault that Nevermind as an album had was that the sound, in my opinion was just too clean. In Utero, on the other hand, goes bac to the raw, rough at the edges passion that prevails on bleach, and surpasses it. Every song has a powerful meaning, every song is played with passion. The music makes you sit up, listen and think. It is a tribute to the true genius that Kurt Cobain was.

The album starts off perfectly, with Serve The Servants. On hearing this song, I knew that the album was going to be good. The first 5 songs are great, and although it slows down a bit, the pace is picked up again with the unbelievably emotional Pennyroyal Tea, continues with the ironic Radio Friendly Unit Shifter, tourette's and closes with a classic - All Apologies. It's almost as if Kurt is apologising to the mainstream for daring to be different, but thats all he could be - all in all is all we all are. The album is a classic, and should really be an essential purchase in everyone's record collection.

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5 of 5 people found the following review helpful:
5.0 out of 5 stars This is Nirvana, 23 Feb 2009
By 
This review is from: In Utero (Audio CD)
The shrieks of the guitar and the explosion of drums, the album has started to play and its NIRVANA but like you've never heard them before. The song falls into a rhythm and melody that has become Kurt Cobain's signature for structuring songs, simple chords and elusive lyrics to sing over them. His voice not the usual hard, thick vocals, but more of a subtle if not reluctant singing comes from him instead. This track is "Serve the Servants" and it is the best album opener Nirvana could have hoped for. It sums up the album pretty well, the raw sound, Cobain's memorising voice drawing you in, the hard hitting drums, the heavy bass and the screeching guitars, all creating a perfect and memorable melody.

So is this album a worthy follow up to Nevermind? This question is certainly on the minds of every critic and fan of Nirvana, and the answer is certainly yes. And for many reasons why. First of, it's totally different to Nevermind. Nirvana hasn't tried to create Nevermind version 2 here, with heavy pop songs and punk flavoured hits. They've moved on. It's more original, it feels like this is what Nirvana was meant to achieve. Second of all, it's still got totally catchy songs. Nothing like Nevermind's hits, but it still has the soft to hard melody's, like in `Heart Shaped Box', or the fast and energetic songs like in `Very Ape' or `Scentless Apprentice', or songs that just want to make you sing along like in `Pennyroyal Tea' or strangely enough, `Rape Me'.

With that last song's name in mind, it's clear what Kurt Cobain has also tried to achieve in this album as well as creating a more punk credible and original sound. Controversy. This album is full of it. Cobain is clearly on a mission to sort out his fans from the punk kids between the wannabes. He's tried to make this album as unpop as possible and having a song called `Rape Me' is just one of his tools. He also try's his hand at several other things, such as over the top feedback in `Radio Friendly Unit Shifter' or using a few lyrics that mean little to him like in `Scentless Apprentice' or `Milk It'. While he does use these techniques, his pop side, much to the relief of fans and critics, does come through and that's what makes this album great. It's a hard rock album with a tiny pop twist and a large sprinkle of punk.

While we are talking about how Kurt Cobain has achieved his mission on this album, we mustn't forget the other members of the band. Dave Grohl's drumming is harder than ever and it still gives the much needed power to Nirvana's songs. He even wrote the guitar riff to `Scentless Apprentice', a Nirvana first that Kurt Cobain isn't the sole song writer. Krist Novoselic's bass is still heavy and full of melody, but follows Cobain's trend of being less pop. The disappointing part is that it's a little hard to hear the bass at times, maybe this is due to the producer (or sound engineer as he likes to be called) Steve Albini. Working with Steve Albini is a strange choice for Nirvana, he never usually works with big bands, but then this makes it perfect for Cobain's quest of becoming more of a punk icon rather than a pop icon or the worst of all, a rock star.

While the album will be hard to listen to for some people, it will begin to grow on you. Its best songs include `Serve the Servants', `Heart Shaped Box' and `All Apologies' These songs all have the Nirvana structure that makes their songs on a higher level than any other bands around today. So the album's lowlights? Well `Very Ape' and `Tourette's' aren't particularly good, but the songs are played at such a fast pace, its hard not to love them.

Overall In Utero is a hard rock album, through and through. It has some great hard hitting tracks and some great melodies. It begs the question, should Nirvana really be classed as being punk or grunge? Because all I hear is pure raw rock, and this is their definitive sound.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars Pure class..., 19 Dec 2001
By A Customer
This review is from: In Utero (Audio CD)
The greatest Nirvana album ever.... this album has a great selection of tracks, all that vary from Nirvana's old style their later style. With greats such as Scentless Apprentice, Very Ape, Dumb, Rape Me, the well known Heart Shaped Box, and my personal favourite Nirvana song Pennyroyal Tea. Overall a great album, maybe even their best, with a closing album this great you do wonder how great Nirvana would be today...

-Sean Noonan (Pennyroyal Flea)

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