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Up (U.S. Version)
 
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Up (U.S. Version)

27 Oct. 1998 | Format: MP3

£7.99 (VAT included if applicable)
Buy the CD album for £4.71 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
1
4:13
30
2
4:31
30
3
5:37
30
4
5:01
30
5
3:35
30
6
4:29
30
7
4:03
30
8
5:23
30
9
4:33
30
10
4:02
30
11
3:39
30
12
6:00
30
13
4:12
30
14
5:06
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Product details

  • Original Release Date: 26 Oct. 1998
  • Release Date: 26 Oct. 1998
  • Label: Warner Bros.
  • Copyright: 1998 R.E.M. / Athens Ltd
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:04:24
  • Genres:
  • ASIN: B001LB97MO
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (45 customer reviews)
  • Amazon Bestsellers Rank: 42,519 in Albums (See Top 100 in Albums)

Customer Reviews

4.3 out of 5 stars

Most Helpful Customer Reviews

16 of 16 people found the following review helpful By A Customer on 24 May 2004
Format: Audio CD
R.E.M. are always at their best when making music that is brave and unexpected, and this is their second bravest album. Only the "we hate our new fans" album Monster was braver, but this one is far superior.
Deprived of drummer Bill Berry after New Adventures, R.E.M. were unable to mix in classic rock songs on this album. But rather than try anyway, without drums, as they have done on Reveal, R.E.M. instead opted for an album of pure melancholy and beauty. It starts with Airportman - Stipe murmuring "great opportunity awaits" over eerie keyboard sounds, and if you can stomach this you will love the rest.
More than any other R.E.M. album, this a journey for the listener and an experience. It's an album about maturing, about troubled times and about coming out the other side. It's sad, mournful, reflective and incredibly uplifting. It makes Automatic For The People seem dry and emotionless by comparison. It's a response to all their previous work, full of references to earlier songs. There are 14 tracks, yet there are no weak ones; the album never sags. Each is beautiful and conveys a mood perfectly.
If Monster was a rejection of their new fans at the zenith of their fame, this (coming at perhaps the low point of their stardom) is a real treat for all the fans who follow the band because they love what they really are: unique, emotional, unpredictable.
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12 of 12 people found the following review helpful By Mr. Aj Des Forges on 15 Feb. 2004
Format: Audio CD
'Up' ended up being not only my favourate of Rem's but also the most listended to record for the last 4 years. At first I remember thinking all the tracks sounded the same and the whole album was a bit annonymous (compared to previous offerings). However, it soon started to clear, like mist rising from the oceon, into one of the most beautiful records ever.
Highly reccomend listening to tracks like 'Hope' and 'Why not Smile?' on a very highquality walkman or hi fi, as the depth and texture of the sound is so amazing its almost edible (I still hear new layers of sound when I listen to it now). The beauty eminates from the lyrics original, expressive nature and in the experimental sounds that work so brilliantly, its hard to imagine how anyone could not love this. Not forgetting that each track has a distinctly subtle-yet powerful tune, prime example being Diminished, or Parakeets. This is a truly great record, and don't believe people who think Automatic For the People is the only good album, you'll miss out on this and other masterpieces like 'Out of Time'
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10 of 10 people found the following review helpful By Merry Terry on 6 July 2007
Format: Audio CD
Be patient because it might take a while.
Obscure electronica and a woozy, sleepy jaded feel pervades this album. And mostly, nothing on here will grab you straight away. Certainly the stunning "At My Most Beautiful" might take your attention and the charming but REM-by-numbers lead off single "Daysleeper" will shake you by the hand and offer you tea and biscuits. But "Airportman" might just ignore you. Completely ignore you. But don't worry you'll be on speaking terms at some point.

There is something quite stunning about this album once you've spent time with it.
"Walk Unafraid" is defiant and mesmeric. "Parakeet" is beautiful. "Diminished" is paranoid and claustrophobic but perversely has a charming little chorus in the middle. This gives way to a sweet little acoustic hidden track which leaves as quickly as it arrives.
"Why Not Smile?" is simple and winsome. The closer "Falls To Climb" is somber and stately - the kind of track that would normally have Mr Buck's jangly Rickenbacker but this time is covered in electronic bleeps and synths. And it works well.

Down-sides? You need persistence, sunbeam, and if you've got 16 million tracks on your I-pod you can wade through at choice you might not want to cultivate it.
But if you appreciate the whole concept of an album then you'll stick with this.
There is a little bit of sleepyness - "Suspicion" is comatosed. Not at all offensive, just very sleepy.

But all in all, accomplished, intelligent and convincing. Worth a re-visit.
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9 of 9 people found the following review helpful By patrick o'leary on 24 Nov. 2006
Format: Audio CD
Initially underwhelming, ultimately astounding - the unfairly maligned "Up" is a sweet mystery indeed. For those with patience and an open ear, this album should prove rewarding and enduring.

Much has been made of the severe troubles involved in the making of "Up". Hopefully the band can reflect on the quality of the songs produced through this turmoil.

Arguably, in an artistic sense, R.E.M. are at their very best when they are forced out of their comfort zone. "Fables of the Reconstruction", for many their finest album of all, was also born from a dark period for the band. The stormy sense of dislocation sensed at the time is perfectly captured in the songs and in the production.

Similarly on "Up", the songs reflect a sudden shift in circumstance and perspective, while the production and lo-fi instrumentation is defiant and fresh in the face of possible adversity.

Perhaps only "Daysleeper" and "At My Most Beautiful" are instantly recognisable as 'vintage' R.E.M. songs. Both are wonderful in their way. The folk-tinged yearning vocals and waltzing rhythm of "Daysleeper" make it a bittersweet delight, while the admittedly twee "At My Most Beautiful" is undeniably gorgeous.

This album as a whole is experimental. In its way. It's not comparable to the seismic transition Radiohead conjured with "Kid A" for example. You won't find anyone comparing "Up" to Aphex Twin.

Sure, R.E.M. have adopted buzzing synths and some drum patterns here, and to wonderful effect. What's really novel, though, is the vulnerability willingly augmented in the songs by these lo-fi sounds and by the suitably strong production of Pat McCarthy.
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