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11 of 11 people found the following review helpful:
5.0 out of 5 stars
A flawed masterpiece, 7 Feb 2002
'Until the End of the World', along with 'The Buena Vista Social Club' and 'The Lisbon Story' is the most satisfying of Wenders works in the 1990's...The idea stemmed from Wenders and Solveig Dommartin (star of 'Wings of Desire') and was co-written with Australian author Peter Carey ('Oscar & Lucinda'). As with earlier films- 'Kings of The Road', 'The American Friend'- this is a Road Movie. Perhaps the ultimate road movie.God knows how something this grand-scale got produced- which is one reason to see it alone. Released in 1991 it was probably most famous for its excellent soundtrack- Nick Cave, 'Zoo-TV'-era U2 (their 'good' period), Depeche Mode, REM, Can, Patti Smith, Elvis Costello, Julee Cruise (produced by David Lynch & Angelo Badalamenti). Though the stand-outs are 'Calling All Angels' (Jane Sibbery & KD Lang) and 'The Adversary' by Crime & The City Solution (one of the bands playing in Berlin in 'Wings of Desire'). The visuals match the music- one of the finest examples of image used against music. The actors are great- as they meet and break-up and re-find each other across the globe: Lisbon-Berlin-Paris-San Francisco-Shanghai- and the rest. The excellent character of Phillip Winter makes an appearance here as a private detective- continuing his association from the film Wenders followed 'Hammett' with and the low-key 'The Lisbon Story'. The film is obviously heavily influenced by the seismic social shifts of the late 80's- the fall of the Eastern Bloc, the reunification of Germany, the 'no borders'. For one moment back there it seemed like the millennium was ocurring. It seemed like the millennium would be a good idea; that the future was before us in the present tense. This is what the film feels like. Set in an idea of 1999, sadly it wasn't that interesting, we have a love triangle acoss the globe. And some ruminations on Wender's theme of the act of seeing. The film is riveting up until the point he halts at Harry Farber's experimentation plant in Australia. Then it becomes ponderous- though still visually striking- the last 45 minutes are mostly a chore...Despite that the film is great- watching it for the third time after several years I was intrigued by the image of characters in flux, in travel. It reminded me of the seemingly inconsiquential motorway shot in 'Solaris' or the recent 'Eureka'. This is an interesting example of SF- very European. There are rumours of a Five-hour version- despite the boring bits of this version, I would love to see it! 'Until the End of the World' is a flawed masterpiece that gets better with age.
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