DSR mentions Derek Jewell's review on the radio. I remember it well, as my brother and I recorded it and I can never hear this album without thinking of his reference to the 'crisp drumming of Phil Collins'. This was, for me and a lot of others, the pinnacle of Collins' career and I still tap the odd drum figure from this album with a teaspoon on the cocoa tin on a winter night. Chris Welch wrote of Percy Jones' 'squirting basslines' and it's the mixture of those, Collins' imaginative drums and Goodsall and Lumley's inventive and non-egotistic playing that makes this album a landmark.