Unless [Hardcover]

Unless offers us engrossing proof--if ever we needed it--that Carol Shields is a writer of incomparable creative agility, wit and tenderness. In her eight novels (including Orange Prize-winner Larry's Party and two short-story collections she has continued to combine an extraordinary inventiveness with prose of suppleness and grace. Her terrain is the domestic and her thematic ambitions are delivered with a beguiling lightness of touch that never undercuts a depth and seriousness of intent--the perfect velvet glove over the iron fist.

Towards the end of Unless its central character, fortysomething Reta Winters--wife, mother, editor, translator and recent novelist--takes issue with how an eminent critic has belatedly bestowed status on her first novel, My Thyme is Up. What had been judged until then as her "fresh, bright springtime piece of fiction" has become... 'a brilliant tour de force', says Professor Casey, and this quote will, of course, appear on the jacket of the sequel...in the same size type as the name Reta Winters, but I am trying not to think what that means." This is just one of countless delicious asides (yet none of Shields' asides are ever throwaway) which Reta makes in her light, self-mocking tone; indeed, she sees herself as a woman for whom "tragedy was someone not liking my book".

But into her happy family comes a situation which overshadows all else: the eldest of Reta's three daughters becomes a bag lady on a Toronto street corner, obsessed by goodness, but refusing to speak or be spoken to. This threnody of loss and grief, and Reta's consequent self-questioning, is at the heart of the narrative. Running alongside are chapters taking up Reta's other selves, each narrated in a very different register: Reta as the translator of French feminist texts; Reta as purposeful, and increasingly driven letter writer on the subject of women's exclusion; the frayed author trying to complete her sequel, Thyme in Bloom, in the face of harassment by an editor of woefully dumb and obdurate incomprehension. This woman of many parts allows Shields to reflect--wittily, thoughtfully, playfully, and with wicked subversiveness--on issues of power, on the nature of goodness, the meaning of family, and the place of women. Crucially, she asks how--or even whether--women's voices are heard and "read", how they are (re)interpreted, and given value in the culture. It is these brave and still necessary, if no longer "fashionable", questions, and Carol Shields' enormous capacity to entertain so wisely and unflinchingly, that make Unless such a joy to read.--Ruth Petrie

Praise for Carol Shields:

‘Her perceptions are so quick, her style is so acute, that she can tack a breath to the page and skewer a thought on the wing. It is her speciality to isolate moments that remain distinct in the mind for years, perhaps for a lifetime.’ Hilary Mantel, Sunday Times

‘Few writers could make a book about what it means to be alone this charming.’ Observer

‘A wonderful, powerful book, written in a style which combines simplicity and elegance. Deeply moving.’ Joanne Harris

‘Shields writes like an angel, awesome in the intelligence of her observations and never less than elegant in expressing them.’ David Robson, Sunday Telegraph

‘It takes the vessel of fiction in its hands and hurls it to the floor…a masterpiece.’ Rachel Cusk, New Statesman

‘As poised and wise a novel as any you will read this year.’ Tim Adams, Observer

‘Our most intelligent and beguiling observer…“Unless” is her most raw and intentful novel yet.’ Penny Perrick, Sunday Times

'This is a novel of great tenderness and compassion, as well as wit and drama.'

'Few writers could make a book about what it means to be alone this charming.'

'It's unjust that Carol Shields didn't win this year's Booker Prize with Unless.'

'There is not a word out of place in this refined, beautifully paced novel.' --This text refers to the Paperback edition.

'The writing is superb' --This text refers to the Paperback edition.

The dazzling novel from Carol Shields, author of ‘The Stone Diaries’, winner of the Pulitzer Prize, and ‘Larry’s Party’, winner of the Orange Prize.

All her life, it seems to Reta Winters, she has enjoyed the useful monotony of happiness. She has a loving husband, three bright daughters and supportive friends, and is experiencing growing success as a writer and translator. Then her eldest daughter suddenly withdraws from the world, abandoning university, family and loving boyfriend to sit on a street corner, uncommunicative but for a sign around her neck bearing one word, ‘Goodness’. The anguish of her loss leads Reta into a desperate search for the causes of her daughter's retreat. No obvious explanation appears to fit. As Reta casts her net ever wider her enquiry turns into an unflinching, often very funny examination of our society and the reasons a young woman might conclude it has no place for her.

Warmth, passion and wisdom come together in this journey through the life of an unforgettable woman. Shields’ remarkably supple prose yields insights and images of transcendent beauty and acuity from the stuff of small-town life. At once the discomfiting, ultimately consoling story of one family’s loss and a searing portrait of life at the dawn of the 21st-century, ‘Unless’ is a dazzling and daring novel from the undisputed master of extraordinary fictions about so-called ‘ordinary’ lives.

'I'm not interested, the way some people are, in being sad. I've had a look, and there's nothing down that road… Well now! What about the ripping sound behind my eyes, the starchy tearing of fabric, end to end; what about the need I have to curl up my knees when I sleep?'

Reta Winters, aged 44, has started a new sort of life. She has discovered the meaning of loss for the first time.

For all of her days, Reta has enjoyed the useful monotony of happiness: a loving family, good friends, growing success as a writer of light fiction, novels 'for summertime'. Then her eldest daughter suddenly withdraws from the world, abandoning university, family and loving boyfriend to sit on a street corner, uncommunicative but for a sign around her neck bearing one word, 'GOODNESS'. The anguish of her loss leads Reta into a desperate search for the possible causes of her daughter's retreat. Casting her net ever wider, her enquiry turns into an unflinching, often very funny meditation on our society and where we find meaning and hope.

Warmth, passion and wisdom come together in Shield's remarkably supple prose. At once the discomforting, ultimately consoling story of one family's anguish and a searing portrait of life at the dawn of the twenty-first century 'Unless' is a dazzling and daring novel from the undisputed master of extraordinary fictions about so-called 'ordinary' lives.

Carol Shields’s novels include Larry’s Party (1997), winner of the 1998 Orange Prize; The Stone Diaries (1993), winner of the Pulitzer Prize and shortlisted for the Booker Prize; The Republic of Love (1992); Happenstance (1991) and Mary Swann (1990). Dressing Up for the Carnival, a bestselling collection of short stories, was published in 2000, and a previous collection, Various Miracles, was published in 1994. Born and brought up in Chicago, Carol Shields has lived in Canada since 1957. She was the Chancellor of the University of Winnipeg.