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Universe of Sound - Holst: The Planets; Talbot: Worlds, Stars, Systems, Infinity (Philharmonia Orchestra/Esa-Pekka Salonen) [Blu-ray] [Region Free]

 Exempt   Blu-ray
4.0 out of 5 stars  See all reviews (6 customer reviews)
Price: £16.99 & FREE Delivery in the UK. Details
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Frequently Bought Together

Universe of Sound - Holst: The Planets; Talbot: Worlds, Stars, Systems, Infinity (Philharmonia Orchestra/Esa-Pekka Salonen) [Blu-ray] [Region Free] + Lionel Bringuier & Nelson Freire Live at the Royal Albert Hall (BBC Symphony Orchestra) [Blu-ray] [2013] + J.S. Bach: St. Matthew Passion (Amsterdam 2012) (IvŠn Fischer, Mark Padmore, Peter Harvey) (Arthaus: 108075) [Blu-ray] [2013]
Price For All Three: £70.10

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Product details

  • Format: Classical
  • Region: All Regions (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 16:9 - 1.78:1
  • Number of discs: 1
  • Classification: Exempt
  • Studio: Signum Classics
  • DVD Release Date: 25 Mar 2013
  • Run Time: 112 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (6 customer reviews)
  • ASIN: B00BEF13FQ
  • Amazon Bestsellers Rank: 75,564 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Reviews

Product Description

Esa-Pekka Salonen leads the Philharmonia Orchestra in a unique performance of Holst's 'The Planets Suite', captured in High Definition by 37 cameras. This immersive experience takes the viewer to the heart of the Philharmonia as they perform this well-loved piece, using cameras placed in a multitude of positions and angles to create an extraordinary glimpse of the orchestra at work from within. As well as 'The Planets', the filmed performances also includes a new commission by UK composer Joby Talbot, 'Worlds, Stars, Systems, Infinity'. Additional features include a 'Making of' documentary feature, listening guide films for each planet, audio commentaries from conductor Esa-Pekka Salonen and principal players of the Philharmonia and, for Blu-Ray only, a picture-in-picture option that allows a simultaneous view of the conductor and orchestra in action. The Philharmonia Orchestra is committed to bringing classical music to new audiences in creative and exciting ways, and to this end has become a technological trailblazer in its adoption and adaptation of new technology. In 2010 the Re-Rite project allowed members of the public to experience Stravinsky's 'Rite of Spring' for the first time from within the orchestra through audio/visual projections. Their 'Universe of Sound' project from which this release stems debuted at the Science Museum in London last year, and is set to tour the country in new installations during 2013. This blu-ray includes a bonus 'Making of' documentary and listening guides for each planet.

Product Description

Holst: Universe Of Sound - The Planets


Customer Reviews

4.0 out of 5 stars
4.0 out of 5 stars
Most Helpful Customer Reviews
7 of 7 people found the following review helpful
4.0 out of 5 stars Interesting Insight into the Orchestra. 30 Mar 2013
By Bruce TOP 500 REVIEWER VINE VOICE
Verified Purchase
This was set up for a Science Museum project to highlight what goes on in an orchestra and they couldn't have chosen a better piece than the Planets : with its interesting use of the whole modern symphony orchestra - with tuned percussion, organ, harps and features for every section and many solo parts.

It is one of the most interesting scores to study and I have a facsimile of Holst's original with annotations which is a treasured possession. This Blu Ray sets out to "annotate" a performance with close camera work and microphone placement. The unique feature here is the use of 37 cameras and the chance to see every angle of every section or solo instrument. This means you get a much better view of all the players than you would in a normal concert film.

The editing follows the featured instruments very well and so you really get an idea of how the main subjects in the score move around the large orchestra. Sound quality and mixing is generally excellent - with the organ bass pedals shaking the floor and every instrument as clear as you could wish. Apart from the strange exception that the bass drum is too quiet - maybe any louder and it would have spilled over to other close mics and spoiled the overall sound balance?

The picture quality is good and you get to see exactly how things are played - overhead shots of the harps, for example, really show you the technique used, in a way I have never seen before on video. However, the environment is a bit "sterile" and this seems to transfer to the performance. The conducting is lively and you have the option to watch Salonen in a small "picture in picture" box. It's good that there are options on viewing - but generally I preferred the main view, which followed everything you needed to see.
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2 of 2 people found the following review helpful
By I. Giles HALL OF FAME TOP 50 REVIEWER
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This disc celebrates more than Holst's Planets suite as its very title suggests. Another main clue lies in the much advertised number of 37 cameras used for the production. This disc is really an extension of the Universe of Sound project and audio visual experience put on in London's Museum of Science in 2012. This was an attempt to engage with the attending 'audience' members by providing a wrap-round experience of being within an orchestra at the time of its playing. Furthermore there were interactive options to find out what it feels like to conduct the orchestra by using linked software.

This was a very major initiative and investment in terms of cost, time and technology and seems to have been very successful. The next project concerns the Rite of Spring.

For purchasers of this disc there are various extras but this does not include the interactive conducting. There is the option to watch and hear a descriptive documentary which gives a musical listening guide to each planet while the music plays. This will be both interesting and informative for newcomers especially. Of less obvious educational value but entertaining the first time, is the option to hear section leaders chatting about and commenting on their practical experiences as the music plays. There is also the option to have a picture insert within the main picture showing the players' view of the conductor during the performance. Again, I would suspect of little repeat value.

The most likely option will be to simply choose to watch the performance in the normal way. This will not be the normal view however, and that is where the 37 cameras come in as they are positioned in such a way as to try and replicate the sensation of being within the orchestra.
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6 of 7 people found the following review helpful
3.0 out of 5 stars Interesting documentation of a bold experiment 28 Mar 2013
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The Universe of Sound project is given a fascinating airing on this disc - it made me wish that I could have visited the Science Museum in London to experience it. For once I found the 'extra' on a disc worth watching all the way through. I bought this disc, however, for the performance of The Planets. Esa-Pekka Salonen keeps tempos fairly brisk and conjures up Holst's vision of our solar system purposefully, if to my mind a little blandly. I found I enjoyed the performance without any detail registering as being exceptional. Be aware that 'Neptune', instead of fading into silence, mixes into Jody Talbot's 'World, Stars, Systems, Infinity', a modern but approachable and interesting work that matches Holst's planets well.
As for the technical quality, I was again a little disappointed. Although there are options to view 'picture in picture' with the conductor, or to split-screen orchestral sections, I stuck with the traditional version. The studio performance is given in formal wear against a black background, with predominantly soft lighting, which allowed players to merge into their background (more backlighting of the orchestra would have helped). Skin tones appear to me to be slightly desaturated and without great variety, what I can only describe as a 'dirty pink' hue. Cameras are visible in shot, and there is some suggestion of shuttering or slight judder, which was more evident to me towards the end.
I sampled the LPCM stereo tracks but mostly stuck with the DTS HD surround, which to my ear gained from the extra airiness and smoothness, especially of the violins.
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