Donna Leon, originally from New Jersey, U.S., has lived in Switzerland, Saudi Arabia, Iran and China, where she worked as a teacher. Before moving to Venice, Italy, for twenty years, as lecturer, professor, and finally mystery writer/student of Baroque music(and she actually motivated me to buy a CD of excerpts from Handel's operas from Amazon U.S.,
Patrizia Ciofi & Joyce DiDonato ~ Amor e gelosia (Handel Operatic Duets) ). As of 2006, she's written 16 Commissario Guido Brunetti mysteries, of which this was the twelfth, all set in or around Venice. Her recent Commissario Brunetti mystery
Friends In High Places won the CWA Macallan Silver Dagger for fiction. She has also been awarded the German Corinne prize for her novels.
First thing to be said is, she knows the place: its geography, weather, people, houses, jobs, transportation, politics, smells,feel, food, and death, and no, not in that
Death In Venice (by Thomas Mann) way. I imagine she knows the best places to go for pizza, the road to avoid for construction, and the most impossibly noisy, motorcycle clogged neighborhoods. Her Venice has little in common with the beautiful, ethereal city celebrated so frequently in song, story, and movie, and so fondly remembered by multitudes of tourists. Her Venice is where Venetians live and work.
Commissario Brunetti is a melancholy and cynical man, made tired by endless infighting in the top-heavy Italian police bureaucracy; and by many disappointments in dealing with what he sees as the self-serving corruption of the Italian power elites. Only the domestic warmth of his family: wife Paola, a hereditary contessa born to one of Venice's oldest families, who chooses to teach, cook, and to espouse left-wing causes (that often sound as if her creator might also support them); his children Raffi and Chiara, and many good meals, enable Brunetti to stay centered and to continue fighting the good fight.
Many people feel that Leon relies too heavily on stereotypes. Her view of Italy as a whole reflects the country that certain liberal bohemias love to hate. She sometimes slows the action of her books to express her political views. UNIFORM JUSTICE particularly, can be viewed as being a bit too full of political digressions. Leon may also be accused of choosing the subject matter of her books for political reasons; of painting all southern Italians as dumb and dishonest, all Venetians as intelligent and honest, all American tourists as fat and crude, and all women under 35 as beautiful. There's some truth to all these criticisms.
In UNIFORM JUSTICE Brunetti is sent to the upper-crust "San Martino Military Academy," where Cadet Ernesto Moro has been found hanged in the boys' lavatory. The school, man and boy, prefers to think Moro a suicide, and whispers various nasty habits of his. They close ranks against Brunetti, as they do against all outsiders, particularly the low-born. However, Brunetti doesn't think the cadet's death is suicide, and digs doggedly until he can prove the cadet's death is murder. Furthermore, the death is directly attributable to the self-interest and corruption of the Italian elites, and to the weakness of any countervailing powers, such as the boy's own family, that might have saved him. But does Brunetti imagine he has liberated Italy from this kind of business? No, sorry, no can do.
It's a really sad story, and I particularly liked the fact that Leon doesn't ever forget that murder, violent death, is tragic, and in the case of a young person, doubly so. If you don't mind a gritty Venice, one where the gondoliers don't sing night and day, this book, and this series, may be for you.