A Declaration of love to Anna Karina and a joy of a movie. This one made me realize Godard had another side. A funny, enjoyable film. For me, in this film Goddard has my complete devotion, this film is why I left my opinion aside from films like Le Mepris and Alphaville (the only ones from this period available in Brasil for a long time in VHS format) which were a bit similar in mood. Not that I don't like these latter films but is good to know he was open to other things and not just stuck into that heavy stuff. In AWIAW, his brechtian techniques don't disturb the story at all and seems part of the film. Godard is so famous and when you watch his films for the first time you think: My God, the film has such an amateur acting, the music stops in the middle of the action, jump-cuts abounds...Why this so untalented person is so famous. But soon you realize this is all intentional and you start to get his numerous cinema's history visual and literal citations (sometimes annoying) in all his films. Some actors had the talent to low the brow of his films and here we have a powerful trio: Jean-Paul Belmondo, Anna Karina and Jean-Claude Brialy.