- Audio CD (22 July 2002)
- Number of Discs: 2
- Label: Underwater
- ASIN: B00006CY6I
- Other Editions: Audio CD
- Average Customer Review: 4.0 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 218,194 in Music (See Top 100 in Music)
Product details
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| Disc: 1 | |||
|---|---|---|---|
| 1. Ya'self - Mutiny | |||
| 2. Without You - Alex Gopher | |||
| 3. New Track - Darren Emerson | |||
| 4. Fly Shuffle - Ian Pooley | |||
| 5. It Just Won't Do - Tim Deluxe (Daz & Tim's Re Rub) | |||
| 6. That Latin Track - DJ Vitamin D | |||
| 7. Capital Rocka - Medicine | |||
| 8. Orbeat 1 - Daniel Vigorito | |||
| 9. Yess - Christian Smith & John Selway | |||
| 10. Bubbles - Vince Watson | |||
| Disc: 2 | |||
| 1. Like This - Loose Headz | |||
| 2. Dance You Down - Gus Gus | |||
| 3. Acid Tracks - D'Julz | |||
| 4. Keep Beating the Drum - Steve Mac | |||
| 5. Love Story - Layo & Bushwacka! | |||
| 6. Hungary - Musik Junkies | |||
| 7. We All Love Sax - Tim Deluxe | |||
| 8. Mountains - Meeker (Darren Emersons Dub) | |||
| 9. Remember When - Audio Drive | |||
| 10. JJ & Chris Lum - Jungle | |||
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Disc two doesn't flow quite as well somehow, losing it's way near the beginning with the inclusion of a few underwelming tunes (Gus Gus Dance you down, D'Julz Acid Tracks, Musik Junkies Hungary and the dated sounding Keep Beating the drum all fail to set the decks on fire) though it does boast a smattering of impressive heavyweight numbers such as Layo and Bushwacka's Love Story, Loose Headz' outstanding and as yet unreleased Like this and Mr Deluxe's own We all love Sax. Perhaps it is simply the case that by including BIG tracks such as these, some of the less striking tunes fade into the background a little. Neverthless, the odd flat moment aside, for the most part this collection is very good indeed, streets ahead of most of the competition, and infinitely preferable to the slew of Ibiza house compilations with which we will no doubt soon be inundated.
Let me see if I can put it into perspective a little better. I enjoy compilations that start off with one type of feeling and slowly song by song transform that feeling until the end result leaves the listener wondering how (s)he got to that new emotional state. Good movies of this type are Braveheart or Dances with Wolves. Good compilations of this type are Sasha's Ibiza Disc 1 (light house into heavy trance), Nick Warren's Brazil disc 2 (trancey breaks into melodic trance), Danny Howell's Nubreed (light tribal into moody house), etc. What I'm trying to describe is not the music itself but the sensations the listener receives when a compilation has in my opinion been successful.
My basic criteria for a good compilation are)
1) has to evoke emotion of some sort
2) has to have good carry (you never find yourself asking why did they put that track in there instead of being rightly absorbed in the sound) and you find yourself at the end of the album before you are ready for it to be over.
3) based on number 2 you can put the [cd] on repeat for 3-4 listens without getting sick of it
4) although intensely personal you find yourself wishing to share the music with a good friend
If any of this jives with your relation to music give this compilation a shot. To be quite honest I haven't even given the second disc a fair listen because I'm so hung up on the first.
And to those people that were turned off by Emerson's GU compilations, I HATED THEM TOO, but this is a completely different cohesion than in those compilations. Maybe Deluxe and Emerson have a good thing going. I'm looking forward to Episode 2
Episode 1 has laid to rest any fears that we'll be forced to look back to the 1990's for good techno. The diversity of the selection is mind blowing and the mixing is second to none. I am particularly fond Tim Deluxe's "We All Love Sax" and Smith and Selway's "Yes".
The first disc is a little bit more solid than the second, but that does not mean that you can't have a wicked session playing these two CDs back to back.
All in all a very reassuring reminder that good Techno is not dead in the 21st Century. The 1990's was just the beginning.
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