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Product Description
Product Description
A new edition of Paul Wells’ introduction to animation as a genre and a form, has been updated in response to developments in academic debate and the recent flourishing of the genre in cinema, on TV and in videogames. Film examples discussed will include features such as The Incredibles, Belleville Rendez-vous and Spirited Away. Shorts will include 'Father and Daughter', 'The Wolfman', 'Mt Head' and 'The Last Words of Dutch Schultz'.
About the Author
Animation Academy, Loughborough University School of Art and Design, UK
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First Sentence
To animate, and the related words, animation, animated and animator all derive from the latin verb, animate, which means 'to give life to', and within the context of the animated film, this largely means the artificial creation of the illusion of movement in inanimate lines and forms. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
To animate, and the related words, animation, animated and animator all derive from the latin verb, animate, which means 'to give life to', and within the context of the animated film, this largely means the artificial creation of the illusion of movement in inanimate lines and forms. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews
Most Helpful Customer Reviews
5 of 5 people found the following review helpful
Format:Paperback
I thought "understanding animation" gives you a very good insight to the psychology in animation,covering all areas, such as narrative strategies, ways to make you laugh, experimental animation, orthodox animation...etc. It also contains case studies for each example, which is great.I certainly find this book of much help when writing about animation,as I think it is very complete.Great to have, especially if you are studying animation.
Format:Paperback
Well's book is brilliantly worded, yet badly realised. Page after page after page of tedious case study throw us off the main arguments and to put it bluntly, bore us. It is extremely dry, even by academic standards, which only takes away the little inspiration it contains. There are very good points in there and actually a lot of useful information, particularly the deconstruction of comedy in animated films and the history of the medium. Unfortunately though, getting at this is like trying to get blood out of a stone.
Good if you need some insight on key animations and the medium's history, but does very little to give animation an artistic or practical purpose (as I think Well's set out to do).
Good if you need some insight on key animations and the medium's history, but does very little to give animation an artistic or practical purpose (as I think Well's set out to do).
Format:Paperback
At the end of the day it is an accademic text to it is going to be very wordy, but I've found that if you do other reading on the topics as well, it's easily accessable. It's a really useful book for the unit 'Popular American Animation' - a second year undergraduate module.
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