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Under Fire (Penguin Modern Classics)
 
 
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Under Fire (Penguin Modern Classics) [Paperback]

Henri Barbusse , Robin Buss
4.5 out of 5 stars  See all reviews (8 customer reviews)
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The Private Memoirs and Confessions of a Justified Sinner (Penguin English Library)
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Under Fire (Penguin Modern Classics) + Storm of Steel (Penguin Modern Classics) + Her Privates We
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Product details

  • Paperback: 352 pages
  • Publisher: Penguin Classics; New Ed edition (25 Sep 2003)
  • Language English
  • ISBN-10: 0141187050
  • ISBN-13: 978-0141187051
  • Product Dimensions: 19.2 x 12.8 x 2.2 cm
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Bestsellers Rank: 90,084 in Books (See Top 100 in Books)

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Product Description

Product Description

A graphic account of the First World War from the perspective of the French trenches. It powerfully evokes the mundane degradations of trench life as well as the drama and trauma of military action, showing how ordinary men responded to one of the greatest horrors mankind has inflicted upon itself.

About the Author

Henri Barbusse was born in 1873 and the novel UNDER FIRE is one of the most famous works of French literature of the 20th century. It expresses the disillusionment with war that led him to pacifism and then communism. His socialist novel CLARTÉ lentits name to a short-lived internationalist movement.

He died in the Soviet Union in 1935.


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First Sentence
The Dent du Midi, the Aiguille Verte and Mont Blanc stare down at the bloodless faces emerging from under the blankets lined up along the gallery of the sanatorium. Read the first page
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Customer Reviews

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Most Helpful Customer Reviews
49 of 50 people found the following review helpful
Format:Paperback
This was a great book. I have read many, to try to understand and remember what my recent ancestors endured. This is one of the four definitive memoirs or autobiographical novels I have read on the subject. The others are All quiet, Storm of Steel and Her Privates We.

Storm of Steel, whilst having a certain melancholy, could not be described as anti-war! Her Privates We takles the position that warfare is sometimes necessary. All Quiet is famously anti-war. Under Fire is anti war, anti capitalist, anti class system, in some ways anarchic.

Barbusse was already a recognised author when he started this novel, and he wrote much of it whilst still in the Trenches. In my opinion, the characteristic trait of this novel are the lucid, visual descriptions of the battles and the field in which they occurred as a barren, consuming hell of mud, fire and death, and the men as having been reduced to barbarous troglodytes by the unending and pitiless misery of their existence.

Perhaps only a mind in which the scars of such an experience were still fresh could have penned such descriptive prose. The opening passage, in which men descend inexorably upon France from all over Europe to fight each other is shocking and moving.

The final chapters, in which the ordinary poilus find themselves philosophising (believably)over war, then mass hallucinate as an army of warmongers materialises from all corners of the horizon and pushes back the sky even more so. A stunning vision, which brought a lump to my throat.

Thyis book was out of print for years, and who's to say it will remain in print. Robin Buss's tranlation does the book great justice, so buy it whilst you can.

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6 of 8 people found the following review helpful
The best? 25 April 2008
Format:Paperback
If you have any interest in the Great War whatsoever, then this book is a must. The best way of describing it is 'Faction'(ie the book is a work of Fiction, based on Barbusses personal experiences of the war - written whilst the war was still raging!)
I would put this book way above All quiet, Storm of Steel and Her Privates We. The differences between the attitudes of the German infantry and the humble Poilu is great. (read Ernst Junger)
This book should be made compulsory for all students studying this subject.
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3 of 4 people found the following review helpful
Format:Paperback
The introduction to "Under Fire" tells us that the book was overwhelmingly well received at the time of publication and was read widely all over Europe. However, he also tells us that some critics rejected in on the grounds that it was unrealistic, and that Barbusse's account moved too far away from the reality of life in battle, and also featured a number of historical errors, and was overall, unconvincing.

The essential point to remember is, that "Under Fire" is fiction -- it is not war reportage or a literally factual account of the period.

Barbusse's work is being compared to Ernst Junger -- that is not accurate in any way. Junger's chilling yet beautifully written war diaries look at war as some kind of pagan Germanic rite, and he writes in a prose and narrative style that verges on the mystical. But also, Junger paradoxically views the carnage with an emphasis on 'chivalry' and 'gentlemanly conduct' , a prism on violence which is, admittedly, often difficult to comprehend to the modern reader. Also, Junger's work is fact -- Barbusse's book, it should be emphasised -- is fiction. "Under Fire" focuses on the drudgery of war, the banal boredom of waiting for days on end with nothing to do but eat rancid food,tend to the wounded,share wet tobacco, and drink dirty water in stinking, claustrophobic trenches.

Junger's book is written from the point of view, first and foremost, of aristocratic officers, whilst Barbusse's fiction is focused on foot soldiers and peasants. Junger's book focuses on bizarre, dreamlike, nightmarish and surreal aspects of war, expressed in a style which is highly cerebral and literary. Barbusse's book focuses on the stretcher bearers, the low ranking soldiers, who have to clean up the soldiers' ordure and waste.

I do not, by any means, wish to undervalue the footsoldiers' perspective on the war, or to judge it as 'less important' than Junger's officers -- That is clearly not the case.But, it is rather the case that Barbusse's account simply fails to hold the reader's attention in the same way that Junger captivates.

There are moments of brilliance in "Under Fire" -- Clouds are described as being like "wicked angels" and the sorry footsoldiers appear like "survivors from some monstrous shipwreck" -- but such moments of compelling, almost mystical description are not typical of Barbusse's style.

I respect Barbusse's place in the 'literary canon', and I respect his perspective on the war, so I will give it three stars. But I have to say, I did not enjoy the book and would not recommend it.

Overall, I was deeply disappointed by Barbusse's book.
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