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In the pre-Stonewall era before the advent of the gay rights movement, male nude photography was kept underground. Photographers feared police confiscation, harassment, and worse. This volume uncovers the work of ten different photographers produced during this suppressive period—images hidden away for a generation in private collections and closed archives. The majority have never been published. A full range of styles is included: gleaming muscle gods shot in the physique magazine style, sun-dappled outdoor nudes from the 1960s, and artful black-and-white studio portraits by George Platt Lynes. Uncovered restores a lost chapter to the history of the male nude photograph and reintroduces more than one hundred unsung classics of male erotic photography to the world.
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Most Helpful Customer Reviews
6 of 13 people found the following review helpful
Format:Hardcover
This book includes unpublished photographs from the archives of various collectors and photographers, from an age of greater innocence but also less freedom to take and publish the male nude.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
7 reviews
23 of 25 people found the following review helpful
Men Uncovered: An Important Historical Document
30 May 2009
Format:Hardcover|Amazon Verified Purchase
Reed Massengill continues to gather images and historical data that enhance his own very fine books of photography of the male nude. In UNCOVERED: RARE VINTAGE MALE NUDES he has gathered the works by ten brave men who had the courage to create images of the nude male before the censorship by the publishing firms changed following the 1969 Stonewall turnaround. While some of the photographers included in this monograph are well known and bridged that hiatus separating forbidden and completely accepted work, there are also 'new faces' whose work demands attention.
The 'uncovered male nudes' in this collection are often only partially revealed, as in the photographs by George Platt Lynes (1907 - 1955): positioning and shadows protect the eye form the full model image. Don Whitman (1916 - 1998) worked with body builders and carefully used the 'posing strap' to prevent viewer disdain. Likewise Al Urban (1917 - 1992) and Earle Forbes (1897 - 1970) focused on the posing Greek ideal for their Physique Images.
But with Plato (1925 - 2003) and John Shreeve Barrington (1920 - 1991) the element of eroticism in the art of male nude photography opened some doors: models were captured more in the privacy of the wild then in the studio and the freedom of posing choices expanded, but still with a sense of restraint. The images of Antonio Arabia (1931 - 1993) are more natural (models in the woodlands) and in many ways more erotic, and the images by Vulcan (b. 1921) and Robert Galster (1923 - 1991) invite the viewer to become involved in the scenario. Many of these images have never been published and Massengill provides a welcome bridge between the art of the male nude as popularized by the many practitioners of excellence today.
This is an important volume and one that will find a larger audience than many other books on the male nude: the images are less threatening to the viewer than the subsequent work of say Mapplethorpe et al. Massengill introduces each of the featured photographers with a brief but historically and artistically significant essay on both the artist and the particular constraints that surrounded the art of each. Grady Harp, May 09
The 'uncovered male nudes' in this collection are often only partially revealed, as in the photographs by George Platt Lynes (1907 - 1955): positioning and shadows protect the eye form the full model image. Don Whitman (1916 - 1998) worked with body builders and carefully used the 'posing strap' to prevent viewer disdain. Likewise Al Urban (1917 - 1992) and Earle Forbes (1897 - 1970) focused on the posing Greek ideal for their Physique Images.
But with Plato (1925 - 2003) and John Shreeve Barrington (1920 - 1991) the element of eroticism in the art of male nude photography opened some doors: models were captured more in the privacy of the wild then in the studio and the freedom of posing choices expanded, but still with a sense of restraint. The images of Antonio Arabia (1931 - 1993) are more natural (models in the woodlands) and in many ways more erotic, and the images by Vulcan (b. 1921) and Robert Galster (1923 - 1991) invite the viewer to become involved in the scenario. Many of these images have never been published and Massengill provides a welcome bridge between the art of the male nude as popularized by the many practitioners of excellence today.
This is an important volume and one that will find a larger audience than many other books on the male nude: the images are less threatening to the viewer than the subsequent work of say Mapplethorpe et al. Massengill introduces each of the featured photographers with a brief but historically and artistically significant essay on both the artist and the particular constraints that surrounded the art of each. Grady Harp, May 09
17 of 18 people found the following review helpful
Very good book...
17 Sep 2009
Format:Hardcover|Amazon Verified Purchase
I really like this book. It has large photos of beautiful guys, generally full on exposure. Some of the poses are definitely period driven but some of them are outside. Over all the guys just look very good (not super models by today's standards) and are the types of guys you're much more likely to come across in a real world situation. Plus they're not manscaped, thankfully!
9 of 10 people found the following review helpful
Rare Vintage Nudes Lives up to Its Promises
6 Aug 2009
Format:Hardcover
Reed Massengill has scored another triumph in "Uncovered: Rare Vintage Male Nudes" Not only does he show us little known works by artists we are familiar with, he introduces us to several artists that many of us may not have heard of - or if heard of, not have seen any work before this. The work is beautiful, often lyrical, and Mr. Massengill's introduction to each artist and his work helps us understand how and under what circumstances these photographers labored. Anyone who collects photographs of the male image will find this indispensable. Anyone who admires the male form will find it a pleasure to add to their collection of books.
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