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When Lafcadio is ultimately forced to choose between mutually exclusive groups with mutually exclusive destinies, he realizes that he wants neither of those implicit destinies for himself. He can be neither a lion nor a hunter. Unable to decide, he walks away from both. Although it almost glosses over violence in the opening scenes, this only serves to heighten the horror of Lafcadio's final quandary. Here the simplicity of the illustrations only reinforces the universality of Silverstein's message.
With its disquieting ending, Lafcadio forms an apt parable for the dilemmas faced by adults, but especially by children in our society. It applies subtly to both classroom cliques and the former Yugoslavia, both contemporary violence and peer pressure, both finding one's path and watching helplessly as others find theirs. As such, Lafcadio provides both cameraderie and empathy, on a level that readers of all ages can understand.
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