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Ulysses (Oxford World's Classics) [Paperback]

James Joyce , Jeri Johnson
3.9 out of 5 stars  See all reviews (221 customer reviews)

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Ulysses (Oxford World's Classics) Ulysses (Oxford World's Classics) 3.9 out of 5 stars (221)
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Book Description

7 May 1998 Oxford World's Classics
Ulysses has been the subject of controversy since copies of the first English edition were burned by the New York Post Office authorities. Today critical interest centres on the authority of the text, and this edition, complete with an invaluable Introduction, notes, and appendices, republishes for the first time, without interference, the original 1922 text.


Product details

  • Paperback: 1056 pages
  • Publisher: Oxford Paperbacks; New Ed edition (7 May 1998)
  • Language: English
  • ISBN-10: 0192834649
  • ISBN-13: 978-0192834645
  • Product Dimensions: 19.4 x 13 x 4.8 cm
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (221 customer reviews)
  • Amazon Bestsellers Rank: 578,521 in Books (See Top 100 in Books)

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Product Description

Amazon Review

Ulysses has been labelled dirty, blasphemous and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it not quite obscene enough to disallow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession". None of these descriptions, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in its own way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged and (occasionally) vexed by Joyce's astonishing command of the English language.

Among other things, a novel is simply a long story, and the first question about any story is "What happens?" In the case of Ulysses, the answer could be "Everything". William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of inforgettable Dubliners. We watch them teach, eat, loiter, argue and (in Bloom's case) masturbate. And thanks to the book's stream- of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river-- we're privy to their thoughts, emotions and memories. The result? Almost every variety of human experience is crammed into the accordion-folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call "Early Yeats Lite"-- will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naïve curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus --This text refers to an alternate Paperback edition.

Review

given that Ulysses has been so commented on and the text even messed about with in some editions, many will be glad of the opportunity to read the book as Joyce intended

(Books Ireland)

very agreeable and pleasing to handle

(Books Ireland)

[the illustrations] are homely and quite evocative representations that do not overshadow the text … they are actually company for the reader and leave room for the imagination to breathe freely

(Books Ireland) --This text refers to the Hardcover edition.

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Customer Reviews

Most Helpful Customer Reviews
149 of 157 people found the following review helpful
5.0 out of 5 stars Unique, incredible, momentous...and difficult 27 July 2004
Format:Paperback
So much has been written about this book in the past eighty years that its reputation alone is enough to dissuade some readers. I think that the reviews printed here reflect the balance of opinion about it, both why it is so revered and why some describe it as being unreadable. For what it is worth, 'Ulysses' is, for me, one of the most sublime monuments in world literature, a book unlike any other, and one that deserves a place among the very small number of classics that should be enjoyed for centuries to come. However, I do understand those that have struggled and failed with it.
Firstly, to like this book is not 'pretentious'. It is perhaps my pretension that made me read it and want to understand it to begin with, but certainly not my pretension that made me enjoy it. These are not to be confused. Secondly, it is 'difficult'. If someone tells you otherwise, I would like to know what they are comparing it to. Joyce's language is convoluted and obscure, and often important events are referred to so obliquely that they bypassed me if my attention was wandering. I have read the book twice and realised that I missed much the first time round. However, the rewards for sticking with it are huge. Thirdly, don't let the scholarly dissection of the book put you off. There are a lot of themes underpinning the book, not least the explicit parallels with the 'Odyssey' and the slightly more implicit theme of the relationships between fathers and sons (paralleled by a reference to Hamlet that runs through the book). However, it would be wrong to view 'Ulysses' as some sort of puzzle to be solved. It is, very simply, a book about a man (Bloom/Daedalus/Joyce) and about Ireland in 1904. For all its scholarly overtones it is about a day in the life of an everyman.
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97 of 104 people found the following review helpful
By A Customer
Format:Paperback
Nearly everybody knows about Joyce's extravagant depiction of one day in early 20th century Dublin, and almost nobody has actually read it (unless forced to do so at school).
The length of the book, the legendary "difficulty" of the English, even the lack of punctuation, all serve to make most potential readers queasy. This perception is enhanced by the enormous volume of secondary writing on the book and Joyce himself. Everything about the text seems to be a license for academics to be pretentious and superiour. Read Ulysses for pleasure? Are you mad? Have you been down the pub with Leopold Bloom and Stephen Dedalus?
As far as I am aware, I am neither mad nor drunk, but I do recommend holding one's literary breath and plunging into this masterpiece.
This book is truly an extraordinary novel. Joyce is a master at depicting and analysing mankind. His ability to describe human emotions on both a concious and sub-concious level is amazing. I am not saying it is easy. To be honest, there are large parts of the book that even after re-reading are way over my head, but too many believe that the book is beyond them. One should not focus on the bad, but the good, and the overall effect of the novel is nothing short of awesome.
So go on, ignore the stigma and the prejudice.
Read Ulysses, for fun.
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112 of 126 people found the following review helpful
Format:Paperback
People approaching Ulysses for the first time should be aware that this particular edition, the so-called "Corrected Text" is a strange beast, created as the work was approaching the end of its term of copyright to ensure that a new copyright could be created and thus control be maintained over the cash flow from the book well into the 21st century. To this end, the text needed to be significantly different to the previous "version". So up stepped Hans Walter Gabler, ready and willing to make sometimes dozens of alterations to the text on each page, "correcting" colloquial speech and making numerous other changes based upon what he has decided the author's intentions actually were.

People who wear their half-moon glasses on a little chain around their neck have been arguing about just what the "definitive" text of Ulysses might be for years, and there's no doubt that Gabler has made all of his "improvements" out of love for the material- or at least from an ambition to be pre-eminent in the notoriously and ridiculously ingrown world of Joyce studies- but it's hard to escape the conclusion that what he has done here is essentially, well, dry-humped the book.

The conceit of all this would make a fine comedy, full of the kinds of jokes that academics don't get. Joyce himself perhaps wouldn't have appreciated the humour in the idea of a bunch of idiots rewriting his book with a big payday in mind, all the while fooling themselves that they're doing it for the sake of the book. But Flann O'Brien might have.
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25 of 28 people found the following review helpful
5.0 out of 5 stars It's a Classic 1 Mar 2012
Format:Kindle Edition
I have been through a few Kindle versions of Ulysees now but have given up on each after a chapter or so due to poor formatting or missing/jumbled text. I was about to give up on counting it in my library until I saw this version and for the sake of a quid - thought I'd give it a try. And I'm pleased I did. It is presented perfectly and if you are going to attempt this goliath of a book on your Kindle then you'd be hard-pushed to find a more readable version. It comes with some decent original photos too - but more importantly, it is true to the print version and set out as it should be for Kindle - with menus that actually work and page breaks where they should be. Everyone should at least try to read Ulysees in their lifetime - give it a go!
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