When you read the plot synopsis for Typhoon, you may find yourself being put of by the fact that it sounds like something from the Hollywood school of dumb action movies, but if you make this mistake you would miss one of the finest action movies that this reviewer has seen in a long, long time.
The dangerous and highly motivated Sin (Jang Dong Gun) hijacks a secret cargo of nuclear detonators at sea, with the help of his merciless band of pirates. The detonators are being secretly shipped by the American defence department so as not to raise the hackles of Russia, China, Japan or either North and South Korea, and were to be used as leverage in the current Asian Pacific brinksmanship that sees the aforementioned countries vying for domination of this sensitive area. Needless to say, the South Koreans learn of this before the Americans can cover it up, and set their own man on Sin's trail, super skilled Naval Intelligence officer Jang (Jung Jae Lee). Jang learns that Sin intends to use the detonators as part of a plot to destroy both North and South Korea, for reasons that become plain later in the movie in a series of brutal and heartbreaking flashbacks. So we have a cat and mouse game played out across the Asian Pacific rim as these two men clash in a series of spectacular set pieces before the obvious final showdown.
So far, so good, and you could be forgiven for thinking so what. But this is more than another lazy Hollywood style action thriller in the Jack Ryan/ James Bond mould. The two leads turn in good performances, giving their characters a certain sense of believability (although given the subject of the film, not totally believable), and the film moves along at a cracking pace, with some terrific (and I do mean terrific) action set pieces. Write/director Kyung Taek Kwak handles the proceedings well, and the film rarely pauses for breath as the action zooms around the Pacific Rim. The film looks great, and particular credit must go to the editor Simon K Park who manages to give even the most boring piece of exposition zing and zip. The action clearly owes a great deal to the stylised action of John Woo, and the film has all the polish of a Jerry Bruckheimer film (and I mean that in a good way). All in all, a cracking action thriller that actually manages to have good characters, a good script and great action all in the one tidy package.