This book is enjoyable in a few passages/sections, when the author gets to the point and makes the narrative explicitly about Gram and his musical development. Other than that there is excessive padding involving long-winded and obscure accounts of family members and their shennanigans. Other digressions give you potted histories of musicians which had very little to do with Gram other than a peripheral/tenuous connection. The author's contention that Elvis Presley, Gram's hero, was a joke in 1969, the year of 'In The Ghetto', Suspicious Minds' and the classic 'From Elvis In Memphis' album also casts serious doubt on his critical judgement. Readers would be better off with Jessica Hundley's biography. Not recommended.