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40 of 41 people found the following review helpful:
5.0 out of 5 stars
The Chicken's still dancing....., 6 Feb 2003
This review is from: Twenty Four Hour Party People [DVD] [2002] (DVD)
The story of Factory Records & the Hacienda is a long and complex one, full of urban myths and legends, humour, tragedy and some of the best music ever made. Inevitably, the film struggles to contain its vast subject matter and was apparently edited down from 3 hours. In the end, Michael Winterbottom has made a film which reflects the myth and the truth of Factory in equal measures. The film leaps wildly from hyper-realism (The Hacienda interior is re-created down to the last brick, even inviting back the original punters to re-create the atmosphere for one last time) to pure fantasy (Happy Mondays trip to Barbados is re-created as a scene from Robinson Crusoe). The film features so many enigmatic characters, and several who deserve a bio-pic of their own. Shaun Ryder and the late Rob Gretton, Ian Curtis and Martin Hannett. To narrow the scope, the film is “seen” through the eyes of Tony Wilson, although on the DVD commentary, Wilson points out that he has fought tooth and nail to have some scenes left out which he insists are entirely untrue. Bizarrely, Wilson still holds down a job as a respected newsreader on Granada TV despite the film depicting him romping with prostitutes and taking copious amounts of drugs. The film itself makes some playful contrasts between Wilson’s life as TV presenter, and that as director of a chaotic, anarchic record label and nightclub. We cut from Wilson living it up on the tour bus with Happy Mondays, to Wilson conducting a banal interview with a pensioner for local TV news. Like Factory, the film is messy, inconsistent and bloody-minded. But like Factory, it looks great and the music is good. Coogan is great, if a little Partridge-esque as Wilson. Paddy Considine captures New Order’s late manager, Rob Gretton to perfection. There are funny little cameo appearances from everyone from Peter Kay to Howard Devoto, some wonderful period re-creations of 80s Manchester, and a few moments of genius. Just to have a feature film on this subject is astonishing in itself. And on the DVD, 8 hours of extras. Perhaps best is the commentary from Wilson himself, which is intelligent, funny and insightful. You also get a commentary from Coogan and the Director, short interviews with many of the people involved with Factory and the Manchester music scene, 24 clips from the cutting-room floor, trailers, a New Order video featuring John Simm. And on the second disc, Wilson conducts a fascinating interview Peter Saville, whose beautiful designs were such an integral part of Factory and influence the aesthetic of Manchester music, culture and clubland to this day. Also on the disc is a documentary about Michael Winterbottom and a video commentary from various associated persons such as New Order’s Peter Hook. This is a little bit hit & miss, as they really spend most of the film reminiscing about the Hacienda rather than commenting on the film itself. Its quite entertaining though, and it does feature the great Bruce Mitchell, drummer with Durutti Column and a man who wasn’t in the film despite the fact that he was present at every event featured. He even did the lighting for the Sex Pistols gig that opens the film. All in all, a good value for money package. The extras really add to your enjoyment of the film, especially if you are unfamiliar with the context of the film and the whole Factory and Hacienda story.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
A shocking but often inspiring story, 19 Feb 2008
This tells the story of Factory records, the record label started in the late 1970's by the enterprising Tony Wilson, whose death has recently reverberated through the music business. In this film, Tony is played by Steve Coogan, who manages to capture some of Wilson's Cambridge arrogance, yet also much of his childlike enthusiasm for music and less than perfect money-management skills.
Wanting to put Manchester on the musical map seemed to be Tony Wilson's main motivation right from the off, and shortly after the formation of factory records, signing various bands. Some of them aren't so well recognised today, such as 'A Certain Ratio', but some of them, such as 'Joy Division', went on to become one of the most influential bands of the post-punk era. A lot of this was down to the eccentric producer Martin Hannett, who worked in such a fearlessly authentic way that Joy Division's debut 'Unknown Pleasures', went on to become one of the most unique, distinctive and authentic records of all time. Which is just as well considering how difficult to please Hannett was - even going so far as to make Joy Division drummer Stephen Morris do his drumming on the roof.
The premise of Factory Records was simple: it was all about art, rather than profits. In this sense, Tony Wilson was a spectacularly inept businessman, but his commitment to music, nurturing new talent, and focusing on artistic output was unwavering.
After the tragic suicide of Ian Curtis in 1980, Wilson's next venture was 'The Hacienda', an ultra-modern nightclub in which Wilson got a whole host of musical acts from all corner of the music business to perform. These included The Smiths, Happy Mondays and various others.
It is at this point in the film that a lot of heavy drug use begins to occur, when Wilson takes the morally bankrupt Happy Mondays under his wing. Despite being warned against this, he is convinced that the Monday's lead singer Shaun Ryder is a genius. The Monday's go on to blow millions of pounds of drugs and a holiday in Barbados, nearly bringing Factory Records to it's knees on several occasions.
This film is superbly directed and skilfully acted. It features a whole host of great Manchester-based actors, all of whom add a certain Mancunian authenticity to the film. All in all, it beautifully explores the trials and tribulations of Tony Wilson, plus the failures and successes of his often naive business ventures, all of which were designed to make Manchester the centre of the music business. For many years, they succeeded.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
What a wicked tale, 20 Mar 2003
This review is from: Twenty Four Hour Party People [DVD] [2002] (DVD)
This film has to be one of the most true and original pieces of filmmaking coming out of Manchester and England in the last few years, The story is told in such a way that you are drawn into what is happening and feel as if you are part of the story. For those who lived through the scene it's almost got to be compulsory viewing if only for the shots of the hacienda to revoke a few old memories. I should mention however, that what you think is the Hacienda actually isn't although it looked and felt just like. This is part of the reason why the film feels so believable as the Hacienda was actually re-created in a warehouse in Ancoats (as it had already been knocked down) and unbelievably the atmosphere created by those who willingly volunteered to be in the film and pretend to be crazed clubbers was completely real although i am a little biased as i was one of those crazed clubbers seen in the film. That energy seems to have been recreated and transferred to the whole of the film. It's great for a nostalgic trip but even better as a great story of some amazing characters.
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