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Twentieth-Century Crime Fiction
 
 
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Twentieth-Century Crime Fiction [Paperback]

Lee Horsley
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Frequently Bought Together

Twentieth-Century Crime Fiction + The Cambridge Companion to Crime Fiction (Cambridge Companions to Literature) + Crime Fiction (The New Critical Idiom)
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Product details

  • Paperback: 328 pages
  • Publisher: OUP Oxford (1 Sep 2005)
  • Language English
  • ISBN-10: 0199253269
  • ISBN-13: 978-0199253265
  • Product Dimensions: 21.6 x 14.3 x 1.8 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 518,747 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Lee Horsley
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Product Description

Review

In Lee Horsley's commanding survey of a century of crime fiction, the reader, teacher or scholar will find a familiar historical trajectory: a quick summary of Sherlock Holmes and his contemporaries leads into the classic clue puzzle, which contrasts with the hard-boiled American school. A thoughtful chapter addresses 'Transgression and Pathology', after which socio-political critique connects neatly with black appropriations and the 'chick dick'. Neglected areas such as the gangster novel and the environmental crime story are explored too. (THES )

Product Description

Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or the application of critical theories. Forty-seven widely available stories and novels are chosen for detailed discussion. In seeking to illuminate the relationship between different phases of generic development Lee Horsley employs an overlapping historical framework, with sections doubling back chronologically in order to explore the extent to which successive transformations have their roots within the earlier phases of crime writing, as well as responding in complex ways to the preoccupations and anxieties of their own eras. The first part of the study considers the nature and evolution of the main sub-genres of crime fiction: the classic and hard-boiled strands of detective fiction, the non-investigative crime novel (centred on transgressors or victims), and the 'mixed' form of the police procedural. The second half of the study examines the ways in which writers have used crime fiction as a vehicle for socio-political critique. These chapters consider the evolution of committed, oppositional strategies, tracing the development of politicized detective and crime fiction, from Depression-era protests against economic injustice to more recent decades which have seen writers launching protests against ecological crimes, rampant consumerism, Reaganomics, racism, and sexism.

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5 of 5 people found the following review helpful
Format:Paperback
'Twentieth-Century Crime Fiction' is a 'must read' for anyone interested in the development of popular fiction in the last century. Although the focus is on crime fiction, most, if not all of the book's central discussions can be usefully applied to other forms of genre fiction. Whilst reading it I found that I began to understand the mechanics of crime fiction and at the same time gained a really good insight into some of the major preoccupations of genre fiction in the twentieth century.

There is real substance to the two parts of this book. In the first part it is easy to get to grips with the different sub-genres of crime fiction as the author gives lots of great examples that make you want to go and read in full the stories that are discussed. I am a big fan of classic detective fiction and the first chapter made very interesting reading. The second part is packed with information that highlights just why crime fiction has such an important place twentieth century culture. Quite a few times I found that the author had introduced me to a new way of looking at a story that I was already familiar with. I particularly enjoyed the chapter on feminist crime fiction and the final chapter which looks forward into this century. If this author is correct (which I am sure she is) then there's certainly a very exciting future in store for this genre!

I get the sense with this book that the author really wants the reader to enjoy reading and understanding crime fiction as much as she has. It is rare to find an academic book that is written in such an enthusiastic and fascinating fashion and yet authored by someone with clear expertise and detailed knowledge of the field. I've read this author's previous book, 'The Noir Thriller', and I would highly recommend both.

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