As a lawyer who has clients involved in the art world, and has Manet (reproductions) on his wall, I have actually recommended this book to people who are thinking about applying to law school. While this may not make immediate sense to a non-lawyer (and may turn you non-lawyers off about the book), the different methodologies, lenses, sensibilities and sometimes inflexible dogmas through which the art historians view this iconic and enigmatic painting find amazing parallels in the wildly divergent theories and perspectives in which legal philosophers, professors and judges view and interpret the complex combination of factors (cultural, societal, class-based, psychological, political, authoritarian, libertarian, scientific, agrarian, industrial, religious, racial, tribal, etc.) through which what we call "the law" develops.