What a superb find. A colourful Norwegian idiom, folk influence and lingering nineteenth century romanticism are part of Tveitt’s sound world, naturally. But while far from avant garde, these are not backward looking works. They have an exploratory, cosmopolitan feel. The composer, well known for his exhaustive Greig analysis and love of Brahms, also experienced much personal tragedy. It was this, perhaps, that kept his harmonic nerve sharp and stopped him slipping into sentimentality. This disc has been well reviewed (BBC Music Magazine, Gramophone and elsewhere) and deservedly so.
The Royal Scottish national Orchestra, long associated with Michael Tippett among others, give an excellent account of themselves here, and on ‘A Hundred Hardanger Tunes’, Suites No 2 and 5 (Naxos 8555770, February 2002). Both are under the baton of Bjarte Engeset. Naxos also offer the First and Fifth Tveitt Piano Concertos (N8555077, September 2001).