Product details
Would you like to update product info or give feedback on images?
|
|
Review With the exception of a couple of ill-advised collaborations – Hello, with Sugarland’s Jennifer Nettles, is even more mawkish than the original; Angel, featuring Pixie Lott, becomes a bland power ballad – it all works with total synchronicity. The tempos, sentiments and story-telling centres of these songs are perfect country fodder, and Richie’s light touch with the vocals and the instrumentation has long been established. Dancing on the Ceiling becomes a mildly raucous banjo-fest; Say You Say Me adopts a pedal steel guitar; Deep River Woman, featuring Little Big Town’s delicate harmonising, is rural gospel personified; Easy has a creeping organ that’s pure Memphis, while the harmonica and Willie Nelson’s singing give it nearly an outlaw quality; and Jimmy Buffett fits perfectly with the restrained island pulse of All Night Long. Perhaps the most remarkable thing about these hayride makeovers is the music and the vocal interactions seem so natural, in quite a few cases you have to go back to the originals to check something has actually been changed.
Whether Tuskegee, the album, is enough to please hard core country fans is not really the point here – Richie’s post-Commodores output was largely ignored by soul fans. He’s a pop artist of substance, and as such brings a touch of class and sufficient flavour of another genre to the mainstream to make music that’s interesting and lasting.
--Lloyd Bradley
Find more music at the BBC This link will take you off Amazon in a new window
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
|