Janwillem van de Wetering creates an artsy, yet accessible portrayal of a typical detective story with Tumbleweed. The novel, set in Holland, begins with the murder of a high-class prostitute, Maria van Buren. The detective team Grijpstra and DeGier are assigned to the case, led by their Commisaris. The plot advances as the team discovers van Buren's interest in witchcraft and sorcery. They begin to create a profile of a woman who ably controlled and held power over her clientele. The investigation of van Buren's four clients leads the detectives on a rather straightforward hunt for her murderer, a man capable of throwing a WWII English commando knife straight into her back, killing her instantly. While the plot carries the reader along with no unusual surprises, it is the imagery and themes that van de Wetering explores which makes this novel an unusual and enjoyable read. In consistently using the literary device of parallelism, van de Wetering creates an overall thematic based on oppositional forces. In a clever manipulation of the typical antagonistic mystery portrayal of good versus evil, van de Wetering goes further in driving home the nature of the world in which we live. Where there is the barren, as represented by the island of Curacao, there is also the fertile, the island of Schiermonnikoog. Yet as is typical of a mystery novel, the twist van de Wetering provides is to undermine the oppositions he has created to illustrate that the world around us cannot be viewed by such polar extremes. The island of Curacao, with its hot dry climate, brings new life to the worn out Commisaris as his pains from rheumatism fade; and it is on the life-giving island of Schiermonnikoog, a lush bird sanctuary, that the murderer of Maria is found. Just as with the title, the tumbleweed, which becomes the symbolic representation of the murderer, is seemingly a dead lifeless corpse; its purpose is to spread its seeds, in this way insuring its ability in the future to propagate. However, as is illustrated with the murderer himself, the power to insure his future is revealed as illusory. Thus, van de Wetering's primary investigation in this novel concludes by having the reader examine what is real and what is illusion in their own world.