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Tudor Costume and Fashion (Dover Fashion and Costumes)
 
 
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Tudor Costume and Fashion (Dover Fashion and Costumes) [Paperback]

Herbert Norris
5.0 out of 5 stars  See all reviews (2 customer reviews)
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Frequently Bought Together

Tudor Costume and Fashion (Dover Fashion and Costumes) + The Tudor Tailor: Reconstructing Sixteenth-Century Dress + Patterns of Fashion: C1560-1620: 1560-1620 v. 3
Price For All Three: £49.26

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Product details

  • Paperback: 904 pages
  • Publisher: Dover Publications Inc.; New edition edition (Mar 1998)
  • Language English
  • ISBN-10: 0486298450
  • ISBN-13: 978-0486298450
  • Product Dimensions: 23.1 x 15.5 x 4.3 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 482,407 in Books (See Top 100 in Books)

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Herbert Norris
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Inside This Book (Learn More)
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews

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Most Helpful Customer Reviews
34 of 34 people found the following review helpful
By A Customer
Format:Paperback
As the owner of a costume business that specializes in historical costuming, I really appreciate the detail in both text and illustration. I particularly like the attention paid to accessories and details, and the fact that information is given for the various social classes. It's lavish illustrations have been an inspiration to me, and to my customers.
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2 of 2 people found the following review helpful
JD 18 Mar 2011
By flash
Format:Paperback
Excellent for researching authentic costume design of the Tudor period. Easy to dip in and out of. Great illustrations and portraits to back up findings.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:  23 reviews
23 of 23 people found the following review helpful
Good resource! 27 Sep 2000
By A Customer - Published on Amazon.com
Format:Paperback|Amazon Verified Purchase
Depending on what you want to do. It won't show you how to sew anything. However, it does have great pictures in clear black and white showing what people wore in all different classes of society from about 1485 to 1601, carefully documenting changes in high fashion and also showing differences in different countries (England, Spain, France, Germany). I could recognize many of the portraits he used, as a historian of the time, but his drawings made what was actually being worn more clear than in portraits. You couldn't sew a costume just using his pictures, but if you had a pattern from somewhere else, his pictures would make it look more accurate. For details of sewing techniques, and photos of actual period clothes .I would go to Janet Arnold. I think that they supplement each other well. But neither is really a pattern book (except maybe if you are much more advanced than I am).
20 of 21 people found the following review helpful
A value to anyone interested in Tudor & Elizabethian Fashion 6 Mar 2000
By akasha_in_nyc - Published on Amazon.com
Format:Paperback
This book is a must have for anyone who is interested in fashion of the 1500s. It is the best tool I have found so far for Tudor fashions in most of Europe. It gives a great deal of information that is valuable to anyone who is recreating dress of the era. However, it does have some flaws. Norris tends to draw conclusions without giving reasons. Some of these appear to be incorrect. Also, there is a a profoundly English slant to information. Overall however, it is the best resource for Tudor fashion. For Elizabethian, "Elizabethan Costuming" by Janet Winter & "Patterns of Fashion : The Cut and Construction of Clothes for Men and Women C1560-1620" by Janet Arnold are better for the money.
16 of 17 people found the following review helpful
Its virtues outweigh its flaws 27 Mar 1999
By Catherine Raymond - Published on Amazon.com
Format:Paperback
For dedicated scholars of costume, Norris's book is irritating for two reasons: he seldom lists the sources of his beautifully drawn illustrations, making it difficult to assess their accuracy, and he packs his text with rambling digressions into history and historical anecdotes of dubious authenticity. However, you will never find so much information about Tudor costume for people from all ranks and all walks of life in any other place (especially not for such a low price), and Norris's wonderful black-and-white drawings illuminate for the discerning reader how some of the magnificent ensembles depicted by Van Dyke and Hilliard must have been made. By all means buy this book if you have any interest in Tudor costume, but check Norris against dated sources first if your objective is museum-quality recreation.
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