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I read Arnott's first two novels last year (when I was 21), back to back, and - although I was enthralled and gripped by the atmosphere of THE LONG FIRM and the sublimely handled plot of HE KILLS COPPERS - thus found that a lot of those books' density went over my young head (refrences being pointed out by others). Arnott's period pieces were received by young readers purely for their stylistic, thematic and narrative content.
Not so TRUECRIME, which is set mostly in 1995, with the rise of Britpop, New Labour and gangster chic providing the colourful backdrop. Historically more immediate, the overwhelming amount of references - Guy Ritchie, Dave Courteney, Lenny McLean, Ministry of Sound, to name but a few - this time cast a strange shadow over Arnott's writing. Is he the immense literary talent some have claimed, or is he merely bringing together a wealth of thinly-veiled references and calling it a 'novel'? Though TRUECRIME is a fast, witty and blistering read, readers might find themselves playing 'spot-the-reference' instead of following the three stories that Arnott dexterously weaves together.
With multiple first-person narratives, TRUECRIME is a closer relation stylistically to Arnott's debut, THE LONG FIRM, but by keeping it down to three voices this time, Arnott creates a tighter, more intimate world that readers soon get lost in. There is no doubting Arnott's ability to string sentences together, which he does better than 9 out of 10 writers with publishing deals.
... Read more ›With a backdrop of 60s criminality this book is set in the pre- New Labour nineties. Like the latter chapters of The Long Firm, Harry Starks is an enigma, the strong link between the four main characters in the book.
The story telling is of the usual high- quality, dialouge is realistic and the stories are interwoven well (although knowing Arnott's style, it does seem more forced than his debut and a little stretched towards the end).
If you, like me, jumped on the bandwagon of Lock Stock, this book panders to the glamour of Cool Brittania and 60s 'geezers'. But it is also heavily ironic. Arnott's reference to a 'show within a show' in his fantasy world mirrors what he has acheived in reality. The 'coolness' of villany is parodied.
I heard there was going to be TV version of The Long Firm last year. I'm not sure what happened to it, but I bet people wanted it to be very 'Lock Stock'. Maybe this books is Arnott's way of getting his own back. Who knows.
I loved the book. Buy it, borrow it, steal it ....
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