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True and False: Heresy and Common Sense for the Actor
 
 
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True and False: Heresy and Common Sense for the Actor [Paperback]

David Mamet
4.4 out of 5 stars  See all reviews (16 customer reviews)
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Product details

  • Paperback: 144 pages
  • Publisher: Faber and Faber; New edition edition (18 May 1998)
  • Language English
  • ISBN-10: 0571192610
  • ISBN-13: 978-0571192618
  • Product Dimensions: 21 x 13.4 x 1.4 cm
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Bestsellers Rank: 39,186 in Books (See Top 100 in Books)
  • See Complete Table of Contents

More About the Author

David Mamet
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Product Description

Product Description

The Pulitzer Prize winning playwright, director and teacher has written a blunt, unsparingly honest guide to acting. In True and False David Mamet overturns conventional opinion and tells aspiring actors what they really need to know. He leaves no aspect of acting untouched: how to judge the role, approach the part, work with the playwright; the right way to undertake auditions and the proper approach to agents and the business in general. True and False slaughters a wide range of sacred cows and yet offers an invaluable guide to the acting profession.

About the Author

David Mamet is a director and the author of numerous acclaimed plays, books and screenplays. His play Glengarry Glen Ross won the Pulitzer Prize, and his screenplays for The Verdict and Wag the Dog were nominated for Academy Awards. He has also received an Obie Award, and has written a collection of poems, five collections of essays, and books on acting and directing, most recently Theatre (2010). His first novel, The Village, was published by Faber in 1994, followed by the publication of The Old Religion in 1998 and Wilson in 2000.

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Customer Reviews

Most Helpful Customer Reviews
8 of 9 people found the following review helpful
By A Customer
Format:Paperback
Mamet's spare, angry demolition of the nonsense spoken about "great" acting is like pure oxygen to those of us who have harboured - but dared not express - nagging doubts about The Method, Stanislavsky, and a million other shibboleths masquerading as theatrical "wisdom".

His book is brief, practical, important, brave. It's a book to be wrestled with, argued over, acted on.

Actors - read it. Directors, agents, casting directors, staple it to your eyeballs.

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12 of 14 people found the following review helpful
Brilliant 17 Sep 2005
Format:Paperback
"You readers are of a generation that would like to stay in school...You will encounter in your travels folks of your own age who chose the institutional path, who became the arts administrators rather than the writers. These folks chose to serve an institutional authority in exchange for a paycheck, and these folks are going to be with you for the rest of your life, and you actors and writers and people who come up off the street, who live without certainty day to day and year to year are going to have to bear with being called children by these institutional types...It is not childish to live with uncertainty, to devote oneself to a craft rather than a career, to an idea rather than an institution. It's courageous and requres a courage of the order that the institutionally co-opted are ill equipped to perceive. They are so unequipped to perceive it that they can only call it childish, and so excuse their exploitation of you.

"...Any system built on belief functions through the operations of guilt and hypocrisy. Such a system, whether of acting training, meditation, self-improvement, etc., functions as a psuedo-religion, and is predicated on the individual's knowledge of his or her own worthlessness. The system holds itself out as the alleviator, cleanser, and redeemer of the guilty individual."

"...The Stanislavsky 'Method,' and the techniques of the schools derived from it, is nonsense. It is not a technique out of the practice of which one develops a skill--it is a cult.

"Concetration cannot be forced. It is a survival mechanism and an adaptive mechanism, and it will not stand down and stop making its own connections simply because we'd like it to. Acting, finally, has nothing whatever to do with the ability to concentrate. The ability to concentrate flows naturally from the ability to do something interetsing. Choose something interesting, legitimately intesreting to do, and concentration is not a problem. Choose something less interesting and concetration is impossible.

"...If you decide to become an actor, stick to your decision. The folks you meet in supposed positions of authority--critics, teachers, casting directors--will, in the main, be your intellectual and moral inferiors. They will lack your imagination, which is why they became bureaucrats rather than artists; and they will lack your fortitude, having elected institutional support over a life of self-reliance. They spend their lives learning lessons very different from the ones you learn, and many or most of them will envy you and this envy will express itself as contempt. It's a cheap trick of unhappy people, and if you understand it for what it is, you need not adopt or be overly saddened by their view of you. It is the view of the folks on the verandah talking about the lazy slaves."

David Mamet
Excerpts from
TRUE AND FALSE
Heresy and Common Sense for the Actor

This book was written for actors.

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12 of 14 people found the following review helpful
By A Customer
Format:Paperback
In this slim volume, Mamet lays waste to the oppressive quasi-religious method nonsence that confuses and ruins so many actors. He describes the Business as it is - a chaotic free-for-all where not only the lucky but also the brave succeed. READ IT - sack your agent, sell your house and put on a play....
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Most Recent Customer Reviews
great book
probably the best book on acting/training/auditioning i have ever read. really encouraging, iinformative, inspirational and motivational. Buy it. read it. love i. i promise you!
Published 1 month ago by A. O'Shea
great but...
Mamet here provides a exceptionally well written provocative view on the nature of acting. He spends a large portion of the book dismissing the method school of acting and destroys... Read more
Published 12 months ago by dungbeetle
Refreshing
It does what it says in the title of the book. On the plus side, it is clearly, succinctly written with good arguments. Read more
Published 16 months ago by ryk
Eye opener
This is a book I can warmly recommend. It's exactly what it says on the tin. It contains basic but important information which can help actors (and beginners like myself) 'relax' a... Read more
Published 24 months ago by J. Egner
True and False: Heresy and Common Sense for the Actor
I bought this book on the count of a friend telling me to read it, i was looking for some help with confidence and some technique and i didnt need all the contents in the book. Read more
Published on 9 Mar 2010 by S. Amato
Essential reading for any aspiring actor, director or writer
This is really not what you would expect, essentially it brings down all the ideas that most people have about acting. Read more
Published on 9 Jun 2009 by M. Maclaine
Perfect
The condition and delivery were impeccable and the book itself is one I recommend to ALL actors and also all non-actors, it's a book about life, truth and realising yourself.
Published on 9 Jun 2009 by Naomi Worth
The Best Book Ever Written About Acting Avoiding The Usual Pretentions
A must read for all actors serious about their job. In it to act NOT prance about being a lovey! I agree with the other reviews it is positively a religious experience and... Read more
Published on 29 Jun 2008 by Frieda Bongo
I found religion
after reading only a few chapters at random and several brief passages i was a convert. And i dont mean that in a flip way, i genuinely think Mamet should be deified. Read more
Published on 19 Jan 2008 by Mr. Joel A. Taylor
some things to think about.
"True and False: Heresy and Common Sense for the Actor" is exactly that. In this slim volume Mamet exposes many of the troubles that plague the theatre and the art of acting in... Read more
Published on 24 Nov 2004 by "pretentiousdramatype"
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