Ignore the rather simplistic synopsis: 'True Blood' is to 'Twilight' what 'The Wire' is to 'CSI Miami' - in other words, there is no comparison. 'True Blood' takes the wonderful Charlaine Harris books out for a spin, races them down the highway at 100 mph, throws out some of the padding, but also enlivens and enlarges some of the lesser characters in the book - notably Lafayette, who is one of the best characters in the show. Alan Ball also uses the allegorical possibilities of vampire mythology to very great effect. In the redneck smalltown of Bon Temps, people's prejudices are laid bare and the loathing, hatred and enmity towards the vamps (together with their 'exoticism' and tourist value) could be equally applied to lesbian and gay people, transgender people (the 'two spirit' shifters) and, of course, people of colour. Ok, there is lots of sex and some incredibly visceral violence, but this is HBO's stock-in-trade, so no surprise there. What is a surprise is the way in which Alan Ball takes what are already excellent books and creates an alternative set of storylines - staying close enough to Harris's narrative for avid readers of her books, whilst making the narrative arcs sufficiently different to produce a few surprising and unpredictable plot twists - even for those of us who know the stories really well. One other point: the casting is inspired: who else but Anna Paquin could play the plucky, sexy and slightly deranged Sookie Stackhouse, whilst other characters (Lafayette, Eric Northman, Bill Compton, Tara) are also excellent. The best vampire TV show ever? Maybe, although 'Buffy' is still the best at the moment because it ran to seven unforgettable seasons. Perhaps if 'True Blood' lasts as long (and I really hope it does) and maintains this high level of quality, then it could be a case of 'True Blood' rules (or should that be 'drools'?). Buy it - you won't be disappointed.