What Laurence Sterne has given us in 'Tristram Shandy' is a landmark piece of prose writing, and what Penguin have done is to re-package that in an edition of equal status. The text follows the established 'Florida' edition of Sterne's work, and the editor Melvin New is right to acknowledge the scholarly importance of Christopher Ricks introduction to the previous Penguin edition, hence it is reprinted here along with New's up to date and equally copious editor's introduction. Thus we have two critical essays by major scholars covering much of what has been written and said about 'Tristram Shandy' for the last 50 years or so. Add to that a glossary and over a hundred pages of notes and annotations to clarify the text's obscurities and references and you've already got more than your money's worth before you've got to the text proper. And what a text too. It isn't by any means to everyone's taste, and some may think it a complete waste of six hundred-odd pages, but herein lies its charm. Yes, it doesn't really get anywhere, and yes it does do odd things like printing squiggly lines and black pages, but it is just this breaking of convention and questioning of novel writing that gives it its power - and humour. It has long been established that what Postmodern authors have been praised for in the last 30 years or so Sterne was doing in the 1760s. And here it is displayed with such exuberance and wit. This is a very funny book, even now, over 300 years later, and it is easy to see how it caused such a stir in a society which was rapidly becoming affected and prudish, with its sexual innuendo. A must for scholars and lovers of Eighteenth Century writing, humour and curiosities. Incredible value and not to be missed.