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Tripods - Series 1 [VHS] [1984]
 
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Tripods - Series 1 [VHS] [1984]

John Shackley , Jim Baker , Graham Theakston    Universal, suitable for all   DVD
3.8 out of 5 stars  See all reviews (26 customer reviews)

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Product details

  • Actors: John Shackley, Jim Baker, Ceri Seel, Pamela Salem, Robin Langford
  • Directors: Graham Theakston
  • Format: VHS, PAL
  • Language English
  • Classification: U
  • Studio: Second Sight
  • VHS Release Date: 19 Mar 2001
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (26 customer reviews)
  • ASIN: B000059L8M
  • Amazon Bestsellers Rank: 34,048 in Video (See Top 100 in Video)

Product Description

Amazon.co.uk Review

In 1984 and 1985, The Tripods was the show that the BBC used to fill its traditional Saturday teatime Doctor Who slot. Adapted from the first two books in John Christopher's "Tripods" trilogy, the show frustratingly failed to deliver the final story that winds everything up. This release collects the first series of 13 episodes, which covers the first book (The White Mountains). In 2089, the human race lives a peaceful, agrarian existence in post-technological communities under the rule of the Tripods, vast alien machines that look like the Martians from War of the Worlds. In a small English village, teenage cousins Will (John Shackley) and Henry (Will Baker) are troubled as they near the age at which they will be "capped", fitted by the local Tripod with a metallic hairnet which will turn them into docile, uncreative, happy servants of the invaders. A wily vagrant tells the boys that far to the south, a community of uncapped freemen resists the Tripods, and they set off on a 13-episode journey that takes them to the coast, across the English Channel and down through France, with stop-offs in the impressive ruins of Paris, at a medieval-style chateau and on a vineyard in the Jura. Along the way, the lads fall in with "Bean Pole" (Ceri Seel), a gangling, bespectacled French rebel who is fascinated with the lost arts of machine-making, but at each of their stopovers there are temptations, mostly in the forms of appealing French girls, to settle down and become happy conformists, but in the end they do join up with the rebels, ready for a mission to the city of the Tripods that comes in Series Two.

With production values significantly higher than Doctor Who at that time, the show conserves its effects and makes them count, with the Tripods only rarely intervening directly. Watched at a sitting, it seems padded and the three lead actors are variable, but taken in single-episode chunks it works quite well, with a subtly unsettling depiction of a backward world where everyone seems happy but actually isn't and actual villainy comes as a relief amidst the overwhelming niceness. The English and French locations are very well used, and the production design and costuming (lots of hats to cover the "caps") is imaginative without being panto-like. --Kim Newman

Video Description

The year is 2089. An alien race stalks the land in towering machines known as Tripods. They have taken over the earth and enslaved mankind with a mind-controlling device, ceremoniously implanted at the age of fourteen. Will Parker anxiously awaits this ritual but hears of a place where a group of people is organising a resistance movement. Together with his cousin they leave their village, hoping to join them. They have not left unnoticed however, and the giant alien machines are in pursuit.

Based on the novels by John Christopher, The Tripods was one of the most expensive productions ever undertaken by the BBC, using a huge cast and many new special effects. Originally broadcast in 1984, occupying the Saturday afternoon 'Doctor Who' slot, The Tripods is another classic sci-fi serial from the BBC.


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Customer Reviews

26 Reviews
5 star:
 (8)
4 star:
 (10)
3 star:
 (3)
2 star:
 (4)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.8 out of 5 stars (26 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 10 people found the following review helpful:
4.0 out of 5 stars A second childhood on two discs, 4 April 2001
By A Customer
I remember being delighted all those years ago when my parents decided to buy a brand spanking new Betamax video recorder. Ostensibly to record my mother's Open University programmes at 3am, to me it just meant that I wouldn't have to miss an episode of "The Tripods". Being a sucker for anything with a good alien in it, I followed the programme keenly, obviously not minding the fact that the actual Tripods of the title rarely show up at all, and their "drivers" are not seen until Series Two.

And now, Second Sight has remembered a TV series that I thought everyone had completely forgotten about. The books might be aimed at "younger adults", but at 26 I still consider them a pretty classic sci-fi story, and was pleased to see that the series has finally been resurrected.

The loose TV conversion of "The White Mountains" which constitutes Series One manages - aforementioned shaky acting and dodgy effects aside - to retain the atmosphere of John Christopher's books, even if it doesn't exactly closely follow the storyline. Much of the content of the series - for example Will's rivalry for Eloise with the arrogant Duc du Sarlat, or the boys' stay with the family at the vineyard - does not appear in the books at all. The books are short, however, and it is not completely surprising that the producers chose to "pad out" the story. But as other reviewers have commented, it may have been this very padding out that was the series' ultimate downfall. Where the characters are on the move, the programme holds the interest. When stops are made, such as at the Chateau Ricordeau (the Chateau de la Tour Rouge in the book), and extended and embellished as they are for the series, I often found myself trying to decide whether or not to "spin on" to the next "interesting" bit.

Like the 1954 film of "War of the Worlds", this conversion was great for its time, and should be watched in that frame of mind. But, also like "War of the Worlds", it takes great liberties with the novels, and I live in quiet hope that one day some great Hollywood blockbuster will be produced that's faithful to the original story. I'm being unfair, though. This series and the one that followed it are good entertainment, and nothing about it in terms of acting, sets, props and effects is any worse than the much-revered "Doctor Who" from the same time. Watch it for fun - I'm sure its widest audience now will be adults on a nostalgia trip!

And now, of course, it just remains to nudge the BBC meaningfully in the ribs and mutter "The Pool of Fire"...

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8 of 8 people found the following review helpful:
4.0 out of 5 stars where's series 2?, 1 Sep 2005
By A Customer
After recently watching war of the worlds and reading the fantastic HG Wells book, it occured to me that The Tripods was long over due in my viewing pleasure.
I was worried that it would look very dated and that my 14 year old school girl crush (Will, the hero of the piece) would never live up to my dwindling memory. How wrong. Yes the acting was a little dodgy and the sfx were nothing compared to today, but lets not forget that this was 1984 BBC1 and the controller of the channel wanted it gone, (the reason series 3 was never made).
The castle part and the vineyard part were slow and did hinder an otherwise great series, otherwise it would have been 5 stars.
This was great nostalgic viewing and i'm just hoping that the bbc will stop dicking about and get series 2 out soon.
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18 of 19 people found the following review helpful:
3.0 out of 5 stars The Tripods - reviewed by Mark Hevingham, 12 Mar 2001
By A Customer
The Tripods, based on the series of books by John Christopher, came to British TV in a blaze of publicity. Set in England of the future it was the story of how towering machine based creatures had subjugated the Human race by "capping" - connecting the brain to a neural control network.

This, we were told, would be ground breaking television with cutting edge special effects - and one which, the BBC hoped -would become the Sci Fi successor to Doctor Who. The corporation almost pulled it off; but their folly was in adapting the books too literally. Whereas the series could have been an action packed 13 part version of the three novels, the producers decided to split the plot across three series in as many years.

The eponymous tripods themselves were largely absent from the first series, the adventure being based around three teenage boys. Instead, they would make fleeting appearances,and rather than being seen in action, more often than not, were hidden in darkness, or by convenient forests.

For this reason, the series became an albatross, rather than an eagle. Viewers soon grew bored with the meandering plot, and by the end of the first season the writing - in viewing figure terms - was already on the wall (in fact the third series - the resolution of the plot - was never produced).

For all its faults the series is in retrospect very entertaining; and the effects are actually pretty good. Shot entirely on video, the mixture of physical and electronic effects show what the beeb used to be able to do; make involving TV on a shoe string (compared with contemporary US shows that is - this series was not cheap to make). Whilst some of the youger actors were obviously new to their profession, the scenery, and the script were the stars.

The road to hell is paved with good intentions, and in the end, however, it was not until the second half of second series that the towering creatures and their three legged masters entered the main plot; it was worth the wait, but far too many viwers had already given up on the series.

Doctor Who's crown was safe - at least for another few years, and the Tripods disappeared on a winter's evening, with a cliff hanger that was never resolved. Enjoy this first series as the foundation of what is to come in the second- a prologue almost. Let's hope (unlike BBC Video) that Second Sight release series 2 as well. If they do you will be rewarded with an entertaining slice of TV from the era when families still sat down in front of the TV on Saturday nights, and England was a far more green and pleasant land.

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