Margaret Frazer wrote a superb series of medieval mysteries in which the keen wits of Sister Frevisse illuminated crimes both high and low. In taking a nun for her detective, Frazer had a character who was severely limited by her sex and station in life. Frazer always found a way around this, but the limitations chaffed, particularly as the series aged.
Happily for her devoted readers, Frazer took a minor character who had appeared sometimes in the Sister Frevisse books and built a new series around him. As fond as I was of Frevisse, I adore Joliffe the player. As an actor wandering with a small family troop, his situation was interesting and his life full of variety.
Each one of the Joliffe's titles starts with 'A PLAY OF ----'; so there is '...ISAAC', '...DUX MORAUD', '...KNAVES'. Each title is taken from the main production that Joliffe's troop is performing. The next book, A PLAY OF LORDS, is set in London and the crime Joliffe solves touches on some vital points of interest, bringing him to the attention of some powerful men.
In A PLAY OF TREACHERY, Frazer has upped the ante.
Joliffe's cleverness in solving crime has consequences. His latest set of instructions takes him away from the small troop of players that are closer than family to him. Now he dons the disguise of a disgraced clerk and travels to France in the train of a lordly bishop. Joliffe's new patron means to test him as well as train him.
France is at war; Normandy is in upheaval. Joliffe finds himself attached to the household of the young and beautiful duchess of Bedford, a widow in mourning for her much older husband. Playing a role that he dare not doff, even for an instant, Joliffe finds his talents tested to the utmost. Were he to solve this crime a second too late, the entire course of history would have changed. This is splendid fun!