Church-going Emily Mortimer and Woody Harrelson are wending their way back home on the Trans-Siberian Express from a do-gooding trip in China, when along comes shady backpacker Eduardo Noriega to upset the proverbial apple-cart, with his menacing (and slightly frayed) good looks and a bag full of matryoshka dolls... From Brad `The Machinist' Anderson, this is a great-looking film with some standout touches: a few stylish shocks in the manner of Hitchcock's `The Birds', and a general attention to `mise en scene', with a gorgeous shot of snow falling on Emily Mortimer's face and some beautiful location footage.
Complex and morally ambiguous, `Transsiberian' is a superior thriller with stellar performances from all its leads. It starts out, perhaps, promising something even more complex that it ultimately fails to deliver, but, for all that, the film is superbly paced and cleverly scripted, and peopled with the sort of believable, three-dimensional characters not often found in the thriller genre. Recommended.