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Review Emily Smith certainly covers lots of bases. Authentically Scottish (those Mumford & Sons lads have a massive setback with their public schooling), she danced at ceilidhs and was BBC Radio Scotland's Young Traditional Music of the Year in 2002. She’s as folkie in her roots as the Sex Pistols were punk. And, from its quaintly-misspelled title-track to its Richard Thompson cover, her fifth album gives a strong impression of being in the new folkie/singer-songwriter tradition of Kate Rusby and Laura Marling.
In fact, Smith is a much more mainstream, albeit waif-like singer, than the rest. A fine musician and a talented interpretative singer, Smith avoids the grit that much of the modern scene opts for, and at times – like on the remarkably semolina-esque Dreams and Lullabies – her delivery veers more towards Karen Carpenter rather than, say, Eddi Reader. When small amounts of grit are delivered, as in a version of Thompson’s Waltzing’s for Dreamers, they are covered in a sweet and by no means disagreeable croon.
After a while, the record’s saccharine nature rather starts to overwhelm its musical excellence and Smith’s delightful warble reminds the listener not so much of Joni Mitchell, as some other reviews have claimed, but of that other popular and attractive singer of Celtic origin, Katherine Jenkins. A pretty and well-made record, then, but one perhaps better suited to lingering shots of lovely glens in a trailer for Coast rather than excitable modern listening.
--David Quantick
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