This novel picks up where Rowland's last Sano Ichiro novel left off: once again, Sano is the victor in the battle against crime, but loser of the war that rages within the Shogun's household. And, once again, his enemy is the Shogun's favorite, Yanagisawa. Sano finds himself essentially exiled to Nagasaki, the only port in which Japan allows foreigners -- closely watched, of course. A Dutch trader is murdered, and Sano offers to unearth the murderer, a seemingly impossible, and politically suicidal, task. Will Sano persevere? Since this is a series of novels, it's pretty obvious he will solve the case. However, I don't think I can take much more of Sano and his associates constantly beaten, wounded, and almost assassinated! The most interesting part of the book, in my opinion, is the picture of foreigners Rowland paints in the book: they are, to Sano and other Japanese, dirty, smelly, and almost completely uncivilized. The fact that Sano needs one of the Dutch delegation's help challenges his detective and physical senses to the extreme. Rowland is historically accurate in her depiction of the xenophobia present in Japan, and the fears that foreigners will somehow pollute the purity of Japanese culture, something that James Clavell did so well in 'Shogun'.