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Gideon Davies is a classical violinist who has lost his ability to play. In the middle of a Beethoven trio, his mind has been wiped clear of everything related to music. But what he can remember is the weeping of a woman and a single name: Sonia. Davies is soon involved with the death of a young woman called Eugenie, who is run down by a car in the streets of London. On the track of her killer, Lynley and his associates Barbara Ramiz and Winston Nkata become aware of a connection with the violinist and a mysterious group of people somehow linked with a crime and its consequences that took place over 20 years ago.
As always, George is faithful to the demands of the classical detective narrative, and the reader is challenged by the slowly unfolding revelations just as much as her struggling protagonists. But, unlike so many of her contemporaries, George never forgets that the sense of place is quite as intrinsic to a mystery story as any whodunit elements, and the panoply of England unfolded before us here is richly and vividly realised. In earlier books, Lynley has seemed almost preternaturally gifted, but here his desperate attempts to penetrate the dark secret have much more of the quality of a struggle - and perhaps this is why A Traitor to Memory is possibly the most satisfying outing for George's detective yet. --Barry Forshaw --This text refers to an out of print or unavailable edition of this title.
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The biggest failure of the book to me however is the lack of involvement of our favourite characters. The story line with Lynley and Helen is continued briefly, but then forgotten through most part of the book. Barbara, St. James and Deborah rarely appear at all. If this were a film, I doubt they would even be considered for best supporting roles.
I don't know how quickly the next instalment will follow, but I feel that Elizabeth George has left me hanging with too many loose ends. The worst thing is that this time I felt that I had to wade through a whole lot of badly constructed plot (the killer was obvious after the first few chapters) waiting for at least some b-plot to reward me, only never to get it.
I haven't given up on her yet, but unfortunately the wait for the next Elizabeth George is no longer full of excited suspense but more of hoping against hope that things will get better.
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