This highly documented, academic book is essential to anyone wishing to better understand how the native Egyptian Muslim audience views women, particularly but not exclusively, women who sing and/or "belly dance". It provides an excellent history of female entertainers in Egypt throughout history - following the Ghawazee, wedding and festival performers, and the rise of nightclub culture. After providing that history - which I feel is very important for all Oriental dancers to understand - this book undertakes the challenge of trying to understand how performers are viewed by themselves, their families and neighbors, and the community at large. By looking at these women with an "experience near" insider's eye, rather that an outsider's eye which may misunderstand or romanticize the situation, this book lays out plainly the challenges for the average female entertainer. She focuses mostly on the "common" dancers and singers -those who dance and sing at weddings and festivals, not as much on the nightclub or TV/movie/ radio stars, although they are mentioned.
This book is not focused only on the entertainment part of these women's lives, however, but on their family lives and how they enter and exit the business, and in this capacity it serves as an excellent window into the lives of Muslim women in Egypt. What is expected of an Egyptian woman, how feminine and masculine are defined and why, what is respectable or not, and why and how these women work in this framework in their daily lives. Is it the Muslim view of women, or of entertainers in general, or of female entertainers that is responsible for the challenges these women face? This book answers these questions, and in the process gives greater insight into Egyptian Muslim culture from the inside out. It isn't a light read, but it is very educational and may even challenge women of all cultures to look at their own cultures, morals, and values regarding women differently.