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Tracy Chapman [CASSETTE] Import

168 customer reviews

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Music

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Biography

Tracy Chapman helped restore singer/songwriters to the spotlight in the '80s. The multi-platinum success of Chapman's eponymous 1988 debut was unexpected, and it had lasting impact. Although Chapman was working from the same confessional singer/songwriter foundation that had been popularized in the '70s, her songs were fresh and powerful, driven by simple melodies and affecting ... Read more in Amazon's Tracy Chapman Store

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Product details

  • Audio Cassette (17 Oct. 1990)
  • Format: Import
  • Label: Warner Music
  • ASIN: B000002H5J
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (168 customer reviews)
  • Amazon Bestsellers Rank: 76,036 in Music (See Top 100 in Music)

Customer Reviews

4.7 out of 5 stars

Most Helpful Customer Reviews

7 of 7 people found the following review helpful By A Customer on 28 Dec. 2001
Format: Audio CD
This album is excellent. Not just because Tracey Chapman has one of the most unique voices of her generation or because her songs are wonderfully created but because unlike the mainstream music of this generation they all tell stories about things that really matter. The music is lilting and it's impossible to refrain from singing along but more than that they stay in your mind and challenge with their themes, more powerful than the Westlife's of today.
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28 of 30 people found the following review helpful By A Customer on 13 Feb. 2002
Format: Audio CD
Put simply, Tracy Chapman is the most unsung hero of soul music in history. Forget the likes of Dido, Chapman did emotive music best. Much of the album is melancholy and at times shocking (the highly effective "Behind The Wall" for example). "Fast Car" has an instantly memorable acoustic lilt and for a time in the late 80s Chapman was hot property. Sadly she faded into relative obscurity. This debut album from 1988 was well ahead of its time; if anyone remembers the mid to late 80s there was an incredible amount of dross being churned out. This is excellent, and one of those albums that anyone could listen to and love.
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13 of 14 people found the following review helpful By A Customer on 25 Sept. 2001
Format: Audio CD
This album is among the best i have ever heard. From the easy listening introduction of ' Talkin bout a revolution ' to the peaceful and soothing 'if not now ' and 'for you', it really takes your breath away. A realy soothing and easy listening album. Tracy Chapman is one of my favourite female artists of all time with a strong character to her voice. Recommended to anyone, well worth the money.
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20 of 22 people found the following review helpful By A Customer on 3 July 2001
Format: Audio CD
It's not often that you hear an artist quite as unique as Tracy Chapman. The soothing voice mixed with the very topical issues works perfectly. This is typified in "Behind the Wall" - a soothing acapella song about domesic abuse. "Baby can I hold you" was so cruelly ripped off by Boyzone, that it emerges as one of the best tracks on this LP. "Across the Lines" is a poignant testament to race violence, and "Why?" is simply beautiful. It's an album worth having - if only for the uplifting "Talkin' bout a revolution".
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3 of 3 people found the following review helpful By A Customer on 7 April 2000
Format: Audio CD
Whether you like Tracy Chapman's music or not, it is unique, you do not hear anything else like it.
She has a very special way of singing. Her extreme voice underlines her strongly political lyrics in an emotional, but in no way exaggerated, way.
The best tracks are the superhit »Fast Car« and »For My Lover«. The most different song is the afro-reggae-inspired »Mountains O'Things«. Most of the songs are very short.
An interesting collection.
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2 of 2 people found the following review helpful By candor on 1 Aug. 2012
Format: Audio CD Verified Purchase
There is not a single space filler track on rhis album. All the songs are strong with individual identity.
The unfussy production complements Tracey's deep soulfull voice perfectly, allowing the lyrics and her vocal delivery to come to the fore.
It is difficult to do justice in descrbing the style: a singer/songwriter of her calibre has her own unique brand. I would characterise it as soul/blues fusion.
The range of subject matter and delivery is wide, with particular focus on human rights and inequality, with songs like 'Talkin Bout a Revolution', 'Fast Car'. Then there are tracks like 'Behind The Wall' and 'Why' on abuse and injustice. And her offerings on love cover the angles,: the longing in 'Baby Can I Hold You', suffering with 'For My Lover' and the heart rending hymn 'For You'.
A truly wonderful, soul grabbing piece of art.
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2 of 2 people found the following review helpful By A Customer on 15 Nov. 1999
Format: Audio CD
This is obviously an older cd that most people have probably heard most of the songs from. There are some wonderful songs on this cd that did quite well for Tracy Chapman - Fast Car and Baby Can I Hold You are my two favorite songs here. These songs can be a bit depressing as the lyrics are true life and often have consistent themes of love lost or poor circumstances so it is probably not the one to listen to if you are in a bit of a funk. However, if you just want some great songs and lyrics this is worth a second listen. Every now and then, this cd makes it back to my stereo and there it sits for a few days before it goes back in its case. Tracy has such a distinct voice and this cd reminds you why you liked her the first time.
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1 of 1 people found the following review helpful By John Abbott on 13 Jun. 2014
Format: Audio CD
Tracy Chapman’s self-titled first album, released in the spring of 1988, helped revive interest in folk-influenced singer-songwriters, a genre that fell out of favour after the first half of the 1970s. The best examples are concentrated and detailed, but also very melodic and accessible. Take “Baby Can I Hold You” which, appropriately for a song about the failure of words, uses its own very economically. The three verses are tightly structured around three phrases that the unnamed subject of the song “can’t say”. They are “sorry”, “forgive me” and “I love you”. The six words that can be said – “Baby can I hold you tonight” – are placed in the chorus and suggest that there are ways of expressing emotion that go beyond the verbal. However, they may not be enough, or may even be the wrong words. The song slips into the past tense to reveal that this relationship failed. “Maybe if I’d told you the right words/At the right time/You’d be mine”. And we hear that the problem is an ongoing one, on both sides: “Years gone by and still/Words don’t come easily”. That’s about it – the sum total of all the words used.

Musically, the song is just as tight, relying mostly on the three most common chords – D major (the tonic) G major (the subdominant) and A major (the dominant). But simple means can be used to great effect. Chapman always uses the song’s main “wild card” chord – the supertonic (E minor with the hint of a ninth) – on the recurring two lines that express the most uncertainty (“can’t say” and “don’t come easily”), where it has the effect of delaying the inevitable resolution to the strong dominant and tonic chords.
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