Goudge in Oxford with Queen Elizabeth I
Elizabeth Goudge's ability to handle a more distant historical setting can be seen in Towers in the Mist, originally published for adults, but much later reissued as a Peacock paperback for "young adults". Indeed it is an anybody book.
Set in Oxford during the early years of Queen Elizabeth the First, in Sixteenth century England, during a peaceful interlude in the conflict between Catholic and Protestant that tore "Merrie" England apart, Towers in the Mist is a double love story in the days when thirteen was a marriageable age!
The story centres around widowed Canon Gervase Leigh of Christ College and his children and his eighty-five year old aunt, a gifted fourteen year old orphan Faithful Crocker, and undergraduate students, including Walter Raleigh, Philip Sidney and Edmund Campion among other actual historical figures.
Goudge's attention to detail vividly captures the time, when people lived in dark smoky ill-heated houses without plumbing or drainage, children drank home-brewed beer to avoid the risk of infected water, and the good queen, Young Bess, was infatuated with the Earl of Leicester, who is Chancellor of Oxford university and uncle of Philip Sidney (a tragic, heroic, and poetic figure of the era).
The community of that time measures its day through church activity, rich with observance and festival.
Earlier beliefs of May Revels and gods of the greenwood are just nostalgic memories.
Christianity provides a natural point of view for everything that happens, but this does not make the book unquestioningly pious.
It is often very funny.
For example, Canon Leigh's oldest daughter is very impressed by the apparently prayerful demeanour of her young admirer. But he is actually mentally doing his accounts to see how badly he has overspent his allowance.
One key climax in the book occurs on Christmas Eve at a murderous fight immediately after a rustic enactment of a nativity play, when spectators yell like animals to the fighters, lanterns are held high to see the violence better - and the stars look down silently.
Death and nativity juxtapose powerfully.
As in so much of her work, Goudge creates a complex picture, like a vast Breugellian Old Master, full of tiny detail and incident, richly observed, achieving happy endings (often predictable, but HOW will they happen?), but paying the price of heartache and sacrifice.
Highly recommended.
John Gough -- Deakin University - [...]