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Since first publication in 1998, Towards a New Museum has achieved iconic status as a seminal exploration of the late-20th-century revolution in museum architecture: the transformation from museum as restrained container for art to museum as exuberant companion to art. Author Victoria Newhouse critiqued numerous institutions for the display of art opened in the 1970s, 1980s, and 1990s, culminating in Frank Gehry's Guggenheim in Bilbao and Richard Meier's Getty Center in Los Angeles. In this expanded edition, she continues her investigation of new museums, assessing the radical, 21st-century changes that have propelled Herzog & de Meuron's De Young Museum in San Francisco and SANAA's 21st Century Museum of Contemporary Art in Kanazawa, Japan, to the forefront of this building type.
Among the institutions added to this new edition are the Giovanni and Marella Agnelli Pinacoteca, perched atop an enormous Fiat factory in Turin, Italy, and the Nasher Sculpture Center in Dallas, both by Renzo Piano Building Workshop; three notable updates of the museum as sacred space, two by Yoshio Taniguchi and one by SANAA; the Lois & Richard Rosenthal Center for Contemporary Art in Cincinnati by Zaha Hadid; and expansions of the Reina Sofia Museum of Modern Art in Madrid by Ateliers Jean Nouvel, the Walker Art Center in Minneapolis by Herzog & de Meuron, and the Museum of Modern Art in New York by Taniguchi. Finally, the De Young Museum, reflecting its own eclectic conditions, and the 21st Century Museum, consisting of non-hierarchical spaces for every conceivable kind of contemporary artwork as well as facilities for social exchange, are innovative hybrids that propose new directions for the future of museum architecture.
Among the institutions added to this new edition are the Giovanni and Marella Agnelli Pinacoteca, perched atop an enormous Fiat factory in Turin, Italy, and the Nasher Sculpture Center in Dallas, both by Renzo Piano Building Workshop; three notable updates of the museum as sacred space, two by Yoshio Taniguchi and one by SANAA; the Lois & Richard Rosenthal Center for Contemporary Art in Cincinnati by Zaha Hadid; and expansions of the Reina Sofia Museum of Modern Art in Madrid by Ateliers Jean Nouvel, the Walker Art Center in Minneapolis by Herzog & de Meuron, and the Museum of Modern Art in New York by Taniguchi. Finally, the De Young Museum, reflecting its own eclectic conditions, and the 21st Century Museum, consisting of non-hierarchical spaces for every conceivable kind of contemporary artwork as well as facilities for social exchange, are innovative hybrids that propose new directions for the future of museum architecture.
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3 reviews
7 of 7 people found the following review helpful
An articulate overview of recent museum design
14 May 2004
Format:Paperback
Victoria Newhouse's book on recent museum design is fascinating--I have been to many of the projects she includes (there are lots and lots of them), and her descriptions and analyses of them never fail to strike me as remarkably insightful. I don't always agree with her comments or her selection of projects (Frank Stella should stick to painting), but as a whole the book is both a wide-ranging compendium of current designs for the visual arts, and an informed treatise with a strong point of view. Far from being an advocate of universal space, Newhouse keeps returning to her central theme: how well does a particular design serve its particular contents? In answering that question, she displays an unusual comprehension of sophisticated issues in both the architectural and artistic arenas. Newhouse has visited much and looked hard; she has also apparently done a lot of research, talked to many of the clients, architects, and curators, and gives one not only the obvious facts but often the inside story. Then she calls it as she sees it, cogently summarizing the strengths and weaknesses of each project's suitability as a container for art. This is required reading for anyone seriously interested in or involved with problems of museum and gallery design.
interesting case studies in museum architecture
27 Oct 2010
Format:Paperback
Textbook was larger that I thought it would be, but the seller shipped in a timely manner. Great book full of case studies of museum architecture from around the world. I used it all semester in a museum studies architecture class and really enjoyed the examples provided. Can be a light read, or can go into more depth for those seriously interested.
7 of 14 people found the following review helpful
disappointing
17 July 2004
Format:Paperback
This book is ok if you want a coffee-table type, once-over- lightly look at some new museums. If you want the kind of serious consideration or analysis that seems promised by the contents/chapter titles, look elsewhere. A waste of $ for my purposes.
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