Reviews
Amazon.co.uk Review
Torque suggests that a lot has changed in the biker-movie genre since Hell's Angels on Wheels--this film may be the new benchmark of feverish chopper action. Martin Henderson plays Cary, a speed king and relatively civilised outlaw with a knack for annoying everyone, including drug smugglers, the FBI, an ex-girlfriend, and, worst of all, biker gang leader Trey (Ice Cube), who thinks Cary killed his brother. On the run from everyone, Cary survives by playing all sides against one another. But the story is less important than the frantic, over-the-top, tongue-in-cheek action surrounding it. The Fast and the Furious producer Neal H Moritz is responsible for this crazy, violent, yet appealingly sardonic cowboys-on-wheels piece. --Tom Keogh
Synopsis
The producer of THE FAST AND THE FURIOUS (2001) and XXX (2002) delivers another amped-up road-racing action spectacle in TORQUE. It's the saga of Ford (Martin Henderson) a motorcycle-riding outlaw who wants to clear his name of drug and murder charges. The cops are after him, as are rival cycle gangs caught up in a war over turf rights. Everyone in the film is tough, cool, and has lightning-fast reflexes. Ice Cube lends some heavier-than-a-Mack-truck screen presence as the leader of the Reapers, an African-American motorcycle gang who thinks Ford killed one of their members. Sexy Monet Mazur is great as Slade, the rough-and-tumble girl Ford left behind when he had to flee the country, and whose love he's now come back to reclaim. The thumping soundtrack includes offerings by Jane's Addiction, Nickelback, Kid Rock, and Hoobastank. There's nonstop trick camera work, fantastic stunts and action set pieces--like one motorcycle chase that takes place on top of, in front of, and inside a train. Slade even gets to have a motorcycle cat fight with the bad guy's girlfriend. Acclaimed music video director Joseph Kahn pours creative energy into every yard of this no-nonsense popcorn movie, his first feature film. It acknowledges its junky exploitation roots proudly, and at times seems to achieve some sort of twisted new level of pop art with its well-paced, colourful, giddy, gritty forward momentum.