Toro! Toro! [Paperback]

“A tale about another country and another time that resonates with the here and now… Once again, Morpurgo demonstrates his talent for stories of absolute clarity about big events”
Sunday Times

“A poignant tale, simply told, about the horror of the Spanish Civil War and the noble cruelty of bullfighting.”
Sunday Telegraph

“In Toro! Toro! Michael Morpurgo unpicks the problem of taking sides, of how enemies can be good, of guilty secrets kept for years… A compact, horrifying and compelling story”
The Times

“A beautifully, directly and convincingly told story: typical Morpurgo. Michael Foreman’s illustrations are exactly right and the whole is a very fine, thoroughly recommended, production.”
School Librarian

Best-selling author Michael Morpurgo turns his storytelling skills to the drama and tragedy of the Spanish Civil War, illustrated by Michael Foreman.

TORO,TORO is the story of a young boy growing up in Andalucia, Spain, on a farm rearing bulls for the bull ring. Antonito hand rears a little black calf and they become firm friends, but the boy doesn't yet understand the fate of the black bulls – the corrida and death. Later, when he learns of the horrors of the bull fight, he frees Paco, the black bull, and rides with him into the hills.There they witness the bombing of their village (it's the year 1936, and the Spanish Civil War has started) and Antonito cannot go back – his family and the farm are destroyed, and Paco has run off, wild with fright. He decides to stay in the hills, where he meets up with the Resistance fighters. During the War, Antonito hears stories round the campfire of the wonderful black bull, who becomes a symbol of freedom for them all. Could this really be Paco? But no-one has ever seen him. After the war, when Antonito is working as a muleteer in the mountains, he falls asleep and dreams of Paco. In the morning, he wakes to see hoof prints on the ground beside him…

A delightful story, full of nostalgia and drama in the author's own inimitable style. Illustrated by Michael Foreman.

Antonito lives an idyllic life on his parents' bull farm in Spain. But the idyll is shattered when he realizes that his calf, Paco, is destined for the bullring. What can he do? He has a daring plan, but it will take enormous courage to see it through - because it is 1936, and the drums of war are echoing across the Spanish plains.

Michael Morpurgo is the author of over sixty books, many short stories and even two musicals. Several of his novels have been adapted for film and television and have been translated into more than a dozen languages. Michael lives in Devon with his wife Clare, and last year they were both awarded MBEs in recognition of their work for their charity, Farms for City Children.

Until yesterday, being a grandfather had been a simple joy – al the pleasures of fatherhood, and few of the cares and woes. Then yesterday afternoon, up in his bedroom, Antonito asked me a question that had to be answered properly, honestly, and without circumvention.

It was a little enough thing that began it. It happened during the siesta. Antonito was bored. He was just messing around, as children do. All he did was kick a football through a window, by accident. When his mother cam storming out into the garden, Antonito was standing there in his Barcelona shirt, looking as guilty as sin. He hadn’t run off – he’s not like that. There was no one else around except the cat and me, and we were having our afternoon nap under the mimosa tree at the bottom of the garden, well away from the scene of the crime. So, Antonito had to be the culprit. He was for it, and there was nothing I could do to help him.

"Antonito! How many times have I told you?" I could see that chin of his was jutting already, and I knew there’d be tears welling up inside him. I could sense what he was going to say before he even said it. "I didn’t do it. It wasn’t me. Honest." And it was all said with such utter conviction, determined defiance. Asked for an alternative explanation, he shrugged insolently at his mother, pursed his lips and refused to speak.

That one shrug was enough to send his mother into paroxysm of rage. He was a "careless, thoughtless, lying little toad and should be ashamed of himself". Antonito was banished to his bedroom. For some time afterwards, I could hear him crying, and then whimpering quietly in his misery and his shame. I longed to go up and console him, but had to bide my time until I was sure his mother had gone out (grandfathers have to be careful in such matters), before making my way into the house and upstairs. I knocked and opened the door.

Antonito was sitting in his bed, chin still jutting, until he saw it was me. "Hello, old fellow," I said, and went to sit down beside him. Neither of us could think what to say, so we said nothing. We often said nothing together. We were silent for some time. Then, out of the silence, came the question. "Abuelo, when you were little, did you ever do bad things? I mean really bad. Did you ever tell a lie?"

"Plenty," I said. This was quite true of course, but I should have left it at that. Instead, seeking to empathise, wanting to make him feel better, I went on: " I’m telling you, Antonito, I was a whole lot better at bad things that you are. And as for lying, I was pretty good at that , too."

He looked up at me with his wide eyes. "Honestly?" he said.

"Honestly," I replied. "Would I like you, Antonito?"

He smiled at that, and brushed the tearstains from his cheeks. I felt I’d said the right thing.

"Are you going to come down now, and pick up that glass with me?" I asked him. "And then you can make your peace with your mother when she comes back, can’t you?"

But I could tell he wasn’t listening to me even as I was speaking.

"Abuelo," he said, "when you were little, what was the very worstest thing you ever did?"

I hadn’t thought he would take it any further. I was on the spot now. I had a mountain of worstest things to choose from. But he’s asked me for the very worstest , and I knew at once what that was. I’d told no one else in fear enough seventy years – not the real story, not all of it. It seemed somehow the moment to tell it; and it seemed too that if anyone had a right to know it, it was my grandson. I felt it was in some way his birthright, his inheritance. I knew too that he expected the truth from me. So I told him the truth, the whole truth.